User contributions for Unque
From Xenharmonic Reference
29 July 2026
- 16:0916:09, 29 July 2026 diff hist +5,270 L'Antica Musica No edit summary current Tag: Visual edit
28 July 2026
- 21:1921:19, 28 July 2026 diff hist −41 Buzzard No edit summary current Tag: Visual edit
- 20:5820:58, 28 July 2026 diff hist +28 m L'Antica Musica No edit summary Tag: Visual edit
21 July 2026
- 19:1319:13, 21 July 2026 diff hist +14 User:Unque No edit summary current Tag: Visual edit
- 19:0619:06, 21 July 2026 diff hist +2,230 Buzzard No edit summary Tag: Visual edit
18 July 2026
- 15:5315:53, 18 July 2026 diff hist +54 User:Unque No edit summary Tag: Visual edit
- 15:5115:51, 18 July 2026 diff hist +1,676 Blackwood No edit summary current Tag: Visual edit
6 July 2026
- 15:4715:47, 6 July 2026 diff hist +131 User:Unque No edit summary Tag: Visual edit
- 15:4515:45, 6 July 2026 diff hist +1 Tcherepnin No edit summary current Tag: Visual edit
14 June 2026
- 23:2523:25, 14 June 2026 diff hist +8,263 N Tcherepnin Created page with "The '''Tcherepnin''' scale, or ''3L 6s'', is a common structural scale which repeats at one third of the octave; as such, it is often associated with the augmented temperament which splits the octave into three major thirds. The scale is named after the music theorist Alexander Tcherepnin, who utilized its 12edo tuning to create a double-tonal sound with two different types of thirds; the pattern was also noted by Olivier Messiaen, who listed..." Tag: Visual edit
8 June 2026
- 21:3421:34, 8 June 2026 diff hist +41 m Mosh No edit summary current Tag: Visual edit
6 June 2026
- 01:1001:10, 6 June 2026 diff hist +45 m User:Unque/Porcupine No edit summary current Tag: Visual edit
- 01:0501:05, 6 June 2026 diff hist +37 m User:Unque/Porcupine No edit summary Tag: Visual edit
- 01:0101:01, 6 June 2026 diff hist +202 m User:Unque/Porcupine No edit summary Tag: Visual edit
- 00:4400:44, 6 June 2026 diff hist +15,088 N User:Unque/Porcupine Created page with "'''Porcupine''' is the '''15 & 22''' temperament generated by an interval of approximately 160 - 165 cents known as a quill; a stack of two quills represents 6/5, and a stack of three represents 4/3, thus making the quill represent 10/9 in the 5-limit. == Terminology, notation, and intervals == The most important property of the porcupine temperament is splitting 4/3 into three equal parts, and similarly splitting the apotome into three equal parts. Each third of 4/3 i..." Tag: Visual edit
2 May 2026
- 23:1023:10, 2 May 2026 diff hist +15 Mosh No edit summary Tag: Visual edit
- 20:2620:26, 2 May 2026 diff hist +2,680 Mosh No edit summary Tag: Visual edit
1 May 2026
- 00:3700:37, 1 May 2026 diff hist +112 User:Unque No edit summary Tag: Visual edit
30 April 2026
- 11:5711:57, 30 April 2026 diff hist +69 L'Antica Musica No edit summary Tag: Visual edit
- 06:0006:00, 30 April 2026 diff hist −184 Notation No edit summary Tag: Visual edit
13 April 2026
- 18:2218:22, 13 April 2026 diff hist +431 Magic Target tunings Tag: Visual edit
- 17:2117:21, 13 April 2026 diff hist +1,393 Meantone Greatly expanded chords section Tag: Visual edit
- 17:1117:11, 13 April 2026 diff hist +1,978 Magic Started section on scales Tag: Visual edit
- 16:3916:39, 13 April 2026 diff hist +72 N File:22edo Magic Cadence.png No edit summary current
7 April 2026
- 22:0222:02, 7 April 2026 diff hist −40 m Chthonic harmony The interval conversion between 7- and 14-form can be found two inches above the chord table if you just scroll up. Not to devalue the decimal notation scheme or anything, just that it takes up a lot of extra horizontal space here. Tag: Visual edit
- 21:5421:54, 7 April 2026 diff hist +1 m Notation spellign Tag: Visual edit
- 21:5421:54, 7 April 2026 diff hist −38 Notation Fixed broken link and reworded some loaded language Tag: Visual edit
29 March 2026
- 22:3222:32, 29 March 2026 diff hist +2,462 L'Antica Musica No edit summary Tags: Reverted Visual edit
23 March 2026
- 19:4319:43, 23 March 2026 diff hist +23 m User:Unque No edit summary Tag: Visual edit
- 15:2815:28, 23 March 2026 diff hist +8,882 User:Unque huge overhaul Tag: Visual edit
20 March 2026
- 17:0917:09, 20 March 2026 diff hist +4,495 Lucidarium II No edit summary current Tag: Visual edit
19 March 2026
- 17:1217:12, 19 March 2026 diff hist −98 m L'Antica Musica No edit summary Tag: Visual edit
- 17:0117:01, 19 March 2026 diff hist +166 m L'Antica Musica No edit summary Tag: Visual edit
- 16:2116:21, 19 March 2026 diff hist +3,886 N Lucidarium II Created page with "{{Wip}} '''Lucidarium II''' was the second musical theory treatise in the ''Lucidarium'', published in the late 1310s by choral singer Marchettus of Padova. While Padova was not a composer by trade, his experience singing seemed to beget a great interest in understanding why music is what it is; as such, the ''Lucidarium'' treatises represent a very unique yet well-learnèd perspective on music theory of the Renaissance era. Whereas the first book of the ''Lucidarium'..." Tag: Visual edit
18 March 2026
- 19:5619:56, 18 March 2026 diff hist +4,155 L'Antica Musica No edit summary Tag: Visual edit
- 00:5600:56, 18 March 2026 diff hist +3,801 L'Antica Musica No edit summary Tag: Visual edit
16 March 2026
- 16:5916:59, 16 March 2026 diff hist +939 L'Antica Musica No edit summary Tag: Visual edit
- 16:5716:57, 16 March 2026 diff hist +612 Mosh Began discussion on composition theory; also let's avoid using diatonic names for nondiatonic scales, especially in such a confusing fashion Tag: Visual edit
- 01:3501:35, 16 March 2026 diff hist +1,783 N Mosh Created page with "The '''Mosh''' scale, or ''3L 4s'', serves as a common framework for many temperaments and structures generated by a stack of diatonic thirds in the neutral to major range, or diatonic sixths in the minor to neutral range. == General Scale Theory == The Mosh scale has seven modes, whose names are given by Andrew Heathwaite. {| class="wikitable" |+Modes of Mosh !Mode Name !Pattern !2nd !3rd !4th !5th !6th !7th |- |Dril |LsLsLss |M |P |M |M |A |M |- |Gil |LsLssLs |M |P |M..." Tag: Visual edit
15 March 2026
- 23:1323:13, 15 March 2026 diff hist +862 Orwell First steps towards documenting functional harmony in Orwell[9] current Tag: Visual edit
- 21:0521:05, 15 March 2026 diff hist +131 User:Unque/On Solfege No edit summary current Tag: Visual edit
5 March 2026
- 23:2423:24, 5 March 2026 diff hist +1,836 User:Unque/On Solfege No edit summary Tag: Visual edit
4 March 2026
- 14:5714:57, 4 March 2026 diff hist −118 Notation Completely baffled by the notion that key signatures don't relate to keys. Tag: Visual edit
- 03:0603:06, 4 March 2026 diff hist −74 User:Unque/On Solfege No edit summary Tag: Visual edit
- 03:0303:03, 4 March 2026 diff hist +5,652 N User:Unque/On Solfege Created page with "In standard musical practice, the seven syllables ''do, re, mi, fa, so, la,'' and ''ti'' are used as a basis for representing relative pitch<sup>†</sup> in a way which is clear and unambiguous to learners, and can continue to be applied by musicians of all experience levels. This practice of solfège syllables can be applied to xenharmonic tuning systems as well, though one must be careful as these syllables have implications concerning the scaleforms and qualities of..." Tag: Visual edit
26 February 2026
- 03:2903:29, 26 February 2026 diff hist −62 m Chthonic harmony Chords need not be tuned to anything in particular; honestly I'm not entirely sure why I had the 36edo mention in there to begin with Tag: Visual edit
25 February 2026
- 17:4917:49, 25 February 2026 diff hist +9 Chthonic harmony Undo revision 4287 by Vector (talk) Tag: Undo
- 04:3104:31, 25 February 2026 diff hist +9 m Chthonic harmony Quotient is established terminology in music theory for discussing brightness of modes. Don't forget we're talking about *relative* brightness, because there's no absolute brightness to be measured. Tags: Reverted Visual edit
- 03:0903:09, 25 February 2026 diff hist +351 Chthonic harmony No edit summary Tag: Visual edit
- 03:0003:00, 25 February 2026 diff hist +50 m Aberrisma No edit summary Tag: Visual edit
