Equipentatonic

From Xenharmonic Reference
Revision as of 19:22, 18 February 2026 by Lériendil (talk | contribs) (separating out 5edo)
The derivation of equipentatonic and equiheptatonic scales by adding melodic steps to [1/1 4/3 3/2 2/1].

An equipentatonic scale is a scale with 5 approximately equally spaced notes within the octave. A tuning system that generates an equipentatonic scale may be conceptualized with the 5-form.

The basic equipentatonic is 5edo, where all the steps are tuned to be precisely equal. It features steps of (1200/5) = 240 cents. Below are several other examples of equipentatonic scales.

Equal trichordal scale

The equal trichordal scale is the scale of the form and mode LLsLL, where s represents 9/8 and L represents sqrt(4/3). It is so named by Vector because it is constructed from the equally divided trichord. It can represent Semaphore temperament or simply an equally divided hemipythagorean subset. It is tuned close to just in 24edo.

Just equipentatonic scale

The just equipentatonic is the scale 12:14:16:18:21:24, either as an otonal or utonal chain. It has the pattern LMsLM, where L is 7/6, M is 8/7, and s is 9/8. It is a part of the reason why 5edo represents the structure of the 2.3.7 group so well.

Slendro

Slendro is an equipentatonic gamelan tuning used in Indonesian music. It is often approximated as 5edo, however its tuning varies. It is usually tuned with stretched octaves. One tuning in particular more closely resembles an extremely soft pentic (2L 3s) MOS than a perfect equipentatonic.[[citation needed]]

Other equipentatonic scales

Any pentatonic MOS has a range of equipentatonic tunings. The following is a table of equipentatonic MOSes with related temperaments, which all serve as basic temperaments of the 2.3.7 subgroup, though due to being 5-form their extensions to 5/4 are rather complex and sensitive to detuning.

MOS Pattern Temperament EDO
4L 1s LLsLL Semaphore 29edo
3L 2s LLsLs Buzzard 28edo
2L 3s LssLs Archy 27edo
1L 4s Lssss Slendric 26edo

Table of equipentatonic intervals

# Name (ADIN) Tuning range Just intonation Equal-tempered Equitrichordal Just equipentatonic Soft pentic
0 Unison 0c 1/1 0c 0c 0c 0c
1 Major second, minor third 220-270c 9/8, 8/7, 7/6 240c 249c 231c, 267c 222-267c
2 Perfect fourth 480-500c 21/16, 4/3 480c 498c 498c 480-489c
3 Perfect fifth 700-720c 3/2, 32/21 720c 702c 702c 711-720c
4 Major sixth, minor seventh 930-980c 7/4, 12/7, 16/9 960c 951c 933c, 969c 933-978c
5 Octave 1200c 2/1 1200c 1200c 1200c 1200c