User contributions for Unque

13 April 2026

• 17:1117:11, 13 April 2026 diff hist +1,978 Magic Started section on scales Tag: Visual edit
• 16:3916:39, 13 April 2026 diff hist +72 N File:22edo Magic Cadence.png No edit summary current

7 April 2026

• 22:0222:02, 7 April 2026 diff hist −40 m Chthonic harmony The interval conversion between 7- and 14-form can be found two inches above the chord table if you just scroll up. Not to devalue the decimal notation scheme or anything, just that it takes up a lot of extra horizontal space here. Tag: Visual edit
• 21:5421:54, 7 April 2026 diff hist +1 m Notation spellign Tag: Visual edit
• 21:5421:54, 7 April 2026 diff hist −38 Notation Fixed broken link and reworded some loaded language Tag: Visual edit

29 March 2026

• 22:3222:32, 29 March 2026 diff hist +2,462 L'Antica Musica No edit summary Tags: Reverted Visual edit

23 March 2026

• 19:4319:43, 23 March 2026 diff hist +23 m User:Unque No edit summary Tag: Visual edit
• 15:2815:28, 23 March 2026 diff hist +8,882 User:Unque huge overhaul Tag: Visual edit

20 March 2026

• 17:0917:09, 20 March 2026 diff hist +4,495 Lucidarium II No edit summary current Tag: Visual edit

19 March 2026

• 17:1217:12, 19 March 2026 diff hist −98 m L'Antica Musica No edit summary Tag: Visual edit
• 17:0117:01, 19 March 2026 diff hist +166 m L'Antica Musica No edit summary Tag: Visual edit
• 16:2116:21, 19 March 2026 diff hist +3,886 N Lucidarium II Created page with "{{Wip}} '''Lucidarium II''' was the second musical theory treatise in the ''Lucidarium'', published in the late 1310s by choral singer Marchettus of Padova. While Padova was not a composer by trade, his experience singing seemed to beget a great interest in understanding why music is what it is; as such, the ''Lucidarium'' treatises represent a very unique yet well-learnèd perspective on music theory of the Renaissance era. Whereas the first book of the ''Lucidarium'..." Tag: Visual edit

18 March 2026

• 19:5619:56, 18 March 2026 diff hist +4,155 L'Antica Musica No edit summary Tag: Visual edit
• 00:5600:56, 18 March 2026 diff hist +3,801 L'Antica Musica No edit summary Tag: Visual edit

16 March 2026

• 16:5916:59, 16 March 2026 diff hist +939 L'Antica Musica No edit summary Tag: Visual edit
• 16:5716:57, 16 March 2026 diff hist +612 Mosh Began discussion on composition theory; also let's avoid using diatonic names for nondiatonic scales, especially in such a confusing fashion Tag: Visual edit
• 01:3501:35, 16 March 2026 diff hist +1,783 N Mosh Created page with "The '''Mosh''' scale, or ''3L 4s'', serves as a common framework for many temperaments and structures generated by a stack of diatonic thirds in the neutral to major range, or diatonic sixths in the minor to neutral range. == General Scale Theory == The Mosh scale has seven modes, whose names are given by Andrew Heathwaite. {| class="wikitable" |+Modes of Mosh !Mode Name !Pattern !2nd !3rd !4th !5th !6th !7th |- |Dril |LsLsLss |M |P |M |M |A |M |- |Gil |LsLssLs |M |P |M..." Tag: Visual edit

15 March 2026

• 23:1323:13, 15 March 2026 diff hist +862 Orwell First steps towards documenting functional harmony in Orwell[9] current Tag: Visual edit
• 21:0521:05, 15 March 2026 diff hist +131 User:Unque/On Solfege No edit summary current Tag: Visual edit

5 March 2026

• 23:2423:24, 5 March 2026 diff hist +1,836 User:Unque/On Solfege No edit summary Tag: Visual edit

4 March 2026

• 14:5714:57, 4 March 2026 diff hist −118 Notation Completely baffled by the notion that key signatures don't relate to keys. Tag: Visual edit
• 03:0603:06, 4 March 2026 diff hist −74 User:Unque/On Solfege No edit summary Tag: Visual edit
• 03:0303:03, 4 March 2026 diff hist +5,652 N User:Unque/On Solfege Created page with "In standard musical practice, the seven syllables ''do, re, mi, fa, so, la,'' and ''ti'' are used as a basis for representing relative pitch^† in a way which is clear and unambiguous to learners, and can continue to be applied by musicians of all experience levels. This practice of solfège syllables can be applied to xenharmonic tuning systems as well, though one must be careful as these syllables have implications concerning the scaleforms and qualities of..." Tag: Visual edit

26 February 2026

• 03:2903:29, 26 February 2026 diff hist −62 m Chthonic harmony Chords need not be tuned to anything in particular; honestly I'm not entirely sure why I had the 36edo mention in there to begin with Tag: Visual edit

25 February 2026

• 17:4917:49, 25 February 2026 diff hist +9 Chthonic harmony Undo revision 4287 by Vector (talk) Tag: Undo
• 04:3104:31, 25 February 2026 diff hist +9 m Chthonic harmony Quotient is established terminology in music theory for discussing brightness of modes. Don't forget we're talking about *relative* brightness, because there's no absolute brightness to be measured. Tags: Reverted Visual edit
• 03:0903:09, 25 February 2026 diff hist +351 Chthonic harmony No edit summary Tag: Visual edit
• 03:0003:00, 25 February 2026 diff hist +50 m Aberrisma No edit summary Tag: Visual edit
• 02:5602:56, 25 February 2026 diff hist +2,111 Chthonic harmony No edit summary Tag: Visual edit

24 February 2026

• 17:2317:23, 24 February 2026 diff hist +61 m L'Antica Musica No edit summary Tag: Visual edit
• 17:1817:18, 24 February 2026 diff hist +3,549 L'Antica Musica No edit summary Tag: Visual edit

23 February 2026

• 17:5317:53, 23 February 2026 diff hist +2,554 L'Antica Musica No edit summary Tag: Visual edit
• 16:3016:30, 23 February 2026 diff hist −12 m 29edo No edit summary Tag: Visual edit

19 February 2026

• 17:5817:58, 19 February 2026 diff hist +4,476 N L'Antica Musica Created page with "{{Wip}} '''L'Antica Musica''' was a treatise published in 1555 by Nicola Vicentino, which explores how Renaissance-era advancements in musical tuning could be used to adapt the lost traditions of Ancient Greek musicians in such a way that blends them with the sensibilities of the 16th century. It is perhaps most revered in xenharmonic communities for its attestation and argument for 31 equal divisions of the octave^†, a tuning for which Vicentino..." Tag: Visual edit

18 February 2026

• 01:0301:03, 18 February 2026 diff hist −4 Chthonic harmony No edit summary Tag: Visual edit

17 February 2026

• 18:0618:06, 17 February 2026 diff hist +296 Chthonic harmony No edit summary Tag: Visual edit
• 17:5117:51, 17 February 2026 diff hist +2,316 Chthonic harmony tables Tag: Visual edit
• 04:1304:13, 17 February 2026 diff hist +317 Chthonic harmony Try not to remove information without discussing Tag: Undo

16 February 2026

• 18:1918:19, 16 February 2026 diff hist +94 11edo No edit summary Tag: Visual edit
• 18:1318:13, 16 February 2026 diff hist +342 11edo No edit summary Tag: Visual edit

15 February 2026

• 22:0522:05, 15 February 2026 diff hist +317 Chthonic harmony Undo revision 3890 by Vector (talk) Tags: Undo Reverted

14 February 2026

• 20:4720:47, 14 February 2026 diff hist 0 m Chthonic harmony spelling Tag: Visual edit
• 20:4220:42, 14 February 2026 diff hist +28 m Chthonic harmony No edit summary Tag: Visual edit
• 20:4120:41, 14 February 2026 diff hist +6,797 N Chthonic harmony Created page with "'''Chthonic harmony''', sometimes called '''semiquartal''' or '''bilateral harmony''', is a type of chord structure useful in many styles of xenharmonic music. It serves as an analog for tertian harmony that splits the perfect fourth rather than the fifth. == Chthonic Intervals == The term "chthonic" is derived from the name of an interordinal interval which splits the perfect fourth into two roughly-equal parts. When this division is not equ..." Tag: Visual edit

11 February 2026

• 22:2322:23, 11 February 2026 diff hist +5 m User:Unque No edit summary Tag: Visual edit

4 February 2026

• 18:1818:18, 4 February 2026 diff hist −26 29edo No edit summary Tag: Visual edit

16 January 2026

• 19:3719:37, 16 January 2026 diff hist +38 29edo Reworded Machinoid intro as compromised in Xengrove Tag: Visual edit

12 January 2026

• 22:3522:35, 12 January 2026 diff hist +9,538 N 29edo Created page with "'''29 equal divisions of the octave''', or '''29edo''', is the tuning system which divides the 2/1 ratio into 29 equal parts of approximately 41.3 cents each. It is notable for its extremely accurate tuning of prime 3, and for unique melodic properties that proponents of the system consider particularly desirable. == Tuning Theory == === JI Approximation === While 29edo excels at prime 3, the rest of the primes up to 31 are relatively lacking. However, primes 5 t..." Tag: Visual edit

19 October 2025

• 22:1522:15, 19 October 2025 diff hist −2 User:Unque No edit summary
• 22:1522:15, 19 October 2025 diff hist +923 N User:Unque Created page with "I am Uncreative Name, or Unque! I'm a music theorist, composer, performer, mathematician, worldbuilder, and linguist. Members of the community may know me as a vocal advocate for tunings of suboptimal popularity; an exotempering troll; a spewer of recreational mathematics; or even the mythical guy who asked. After some chaos in the main Xenharmonic community, I've moved my base of operation to Xenbase. In my time here, I plan to take a music-first approach for sects..."