13edo: Difference between revisions
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'''13edo''', or 13 equal divisions of the octave, is the equal tuning featuring steps of (1200/13) ~= 92.308 cents, 13 of which stack to the octave 2/1. It does not approximate many small prime harmonics well at all, so [[Delta-rational chord|DR]]-based interpretations may be preferred among 13edo users. | '''13edo''', or 13 equal divisions of the octave, is the equal tuning featuring steps of (1200/13) ~= 92.308 cents, 13 of which stack to the octave 2/1. It does not approximate many small prime harmonics well at all, so [[Delta-rational chord|DR]]-based interpretations may be preferred among 13edo users. | ||
13edo's greatest melodic strength is its proximity to 12edo, whose most important effect is providing an [[oneirotonic]] (5L3s, LLsLLsLs) MOS which is a compressed diatonic. | 13edo's greatest melodic strength is its proximity to 12edo, whose most important effect is providing an [[oneirotonic]] (5L3s, LLsLLsLs) MOS which is a compressed diatonic. For Jaimbee and Inthar's functional harmony and method, see the [[oneirotonic]] page. | ||
== Tuning theory == | == Tuning theory == | ||
Latest revision as of 18:34, 12 May 2026
13edo, or 13 equal divisions of the octave, is the equal tuning featuring steps of (1200/13) ~= 92.308 cents, 13 of which stack to the octave 2/1. It does not approximate many small prime harmonics well at all, so DR-based interpretations may be preferred among 13edo users.
13edo's greatest melodic strength is its proximity to 12edo, whose most important effect is providing an oneirotonic (5L3s, LLsLLsLs) MOS which is a compressed diatonic. For Jaimbee and Inthar's functional harmony and method, see the oneirotonic page.
Tuning theory
Intervals
Note: The logic of ground's notation is to preserve the diatonic order of nominals for the stacked oneirotonic subfourth generators, with one additional note: BEADGCFX
| Edostep | Cents | Interval region name | ADIN name (Oneirotonic extension) | Oneirotonic TAMNAMS name | Oneirotonic KISS notation | Ground's notation (on A = 440 Hz) | 26edo subset notation (on A = 440 Hz) |
|---|---|---|---|---|---|---|---|
| 0 | 0 | Unison | Unison | Perfect 0-(oneiro)step (P0oneis) | 1 | A | A |
| 1 | 92.3 | Minor 2nd | Minor second | Minor 1-(oneiro)step (m1oneis) | 1# / 2b | A# / Cb | Ax / Bbb |
| 2 | 184.6 | Major 2nd | Major second | Major 1-(oneiro)step (M1oneis) | 2 | C | B |
| 3 | 276.9 | (Sub)minor 3rd | Minor third | Minor 2-(oneiro)step (m2oneis) | 3 | B | Bx / Cb |
| 4 | 369.2 | (Sub)major 3rd | Major third | Major 2-(oneiro)step (M2oneis) Diminished 3-(oneiro)step (d3oneis) |
3# / 4b | B# / Db | C# |
| 5 | 461.5 | Subfourth | Fourth | Perfect 3-(oneiro)step (P3oneis) | 4 | D | Db |
| 6 | 553.8 | Ultrafourth / Infratritone | Minor tritone | Minor 4-(oneiro)step (m4oneis) | 5b | Fb | D# |
| 7 | 647.2 | Ultratritone / Infrafifth | Major tritone | Major 4-(oneiro)step (M4oneis) | 5 | F | Eb |
| 8 | 738.5 | Superfifth | Fifth | Perfect 5-(oneiro)step (P5oneis) | 6 | E | E# / Fbb |
| 9 | 830.8 | (Super)minor 6th | Minor sixth | Augmented 5-(oneiro)step (A5oneis) Minor 6-(oneiro)step (m6oneis) |
6# / 7b | E# / Gb | F |
| 10 | 923.1 | (Super)major 6th | Major sixth | Major 6-(oneiro)step (M6oneis) | 7 | G | Fx / Gbb |
| 11 | 1015.4 | Minor 7th | Minor seventh | Minor 7-(oneiro)step (m7oneis) | 8b | Xb | G |
| 12 | 1107.7 | Major 7th | Major seventh | Major 7-(oneiro)step (M7oneis) | 8 | X | Gx / Abb |
| 13 | 1200 | Octave | Octave | Perfect 8-(oneiro)step (P8oneis) | 1 | A | A |
Prime harmonic approximations
| Harmonic | 2 | 3 | 5 | 7 | 11 | 13 | 17 | 19 | 23 | |
|---|---|---|---|---|---|---|---|---|---|---|
| Error | Absolute (¢) | 0.0 | +36.5 | -17.1 | -45.7 | +2.5 | -9.8 | -12.6 | -20.6 | +17.9 |
| Relative (%) | 0.0 | +39.5 | -18.5 | -49.6 | +2.7 | -10.6 | -13.7 | -22.3 | +19.4 | |
| Steps
(reduced) |
13
(0) |
21
(8) |
30
(4) |
36
(10) |
45
(6) |
48
(9) |
53
(1) |
55
(3) |
59
(7) | |
Edostep interpretations
13edo's edostep functions in the 2.9.5.21.11.13.17.19 subgroup as:
- 17/16
- 18/17
- 19/18
- 20/19
- 21/20 (the interval between 10/9 and 7/6)
- 22/21
- 26/25 (the interval between 5/4 and 13/10)
- 55/52 (the interval between 11/8 and 13/10, and between 5/4 and 13/11)
- 128/121 (the interval between 11/8 and 16/11)
Harmonic series approximations
13edo approximates the following harmonic series chord fairly well (x indicates notes that are harder to approximate):
34:36:38:40:42:x:47:x:52:55:58:61:x:68
This can be derived as follows:
- the quasi-13edo isoharmonic chord 5:9:13:17:21 => 17:18:x:20:21:x:x:x:26:x:x:x:x:34
- the simic sixth chord 17:20:26:29 (+1+2+1) => 17:18:x:20:21:x:x:x:26:x:29:x:x:34
- place 11/8 on harmonic 20 => 34:36:x:40:42:x:x:x:52:55:58:x:x:68
- use halfway harmonics 19 and 47 => 34:36:38:40:42:x:47:x:52:55:58:x:x:68
- 61/52 is .6c off from 3\13 => 34:36:38:40:42:x:47:x:52:55:58:61:x:68
Making an over-17 13edo neji thus requires you to choose those three notes:
- The notes resulting in lowest pairwise error in mode 34 are 44, 49, and 64.
- The closest notes in mode 68 are 89, 99, and 129 (which are significantly more complex).
- A less accurate but lower-complexity neji (limited to oneirotonic) is 22:25:26:29:32:34:38:42:44, so one could specifically choose 44, 50, and 64.
Multiples
26edo
- Main article: 26edo
39edo
39edo is a Supra (2.3.7.11[17 & 22]) diatonic tuning which has good 11/8 and 9/7 approximations in the mosdiatonic scale, though the 39d val (using the sharp approximation of 7/4) is required. One may favor 39edo over harder Archy tunings for the larger diatonic semitone size.
| Harmonic | 2 | 3 | 5 | 7 | 11 | 13 | 17 | 19 | 23 | 29 | 31 | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Error | Absolute (¢) | 0.0 | +5.7 | +13.7 | -15.0 | +2.5 | -9.8 | -12.6 | +10.2 | -12.9 | -14.2 | -6.6 |
| Relative (%) | 0.0 | +18.6 | +44.5 | -48.7 | +8.2 | -31.7 | -41.1 | +33.1 | -41.9 | -46.1 | -21.4 | |
| Steps
(reduced) |
39
(0) |
62
(23) |
91
(13) |
109
(31) |
135
(18) |
144
(27) |
159
(3) |
166
(10) |
176
(20) |
189
(33) |
193
(37) | |
65edo
65edo is notable as the intersection of Schismic and Wurschmidt. It is a strong 2.3.5.11.19.23.31.47.49 system.
| Harmonic | 2 | 3 | 5 | 7 | 11 | 13 | 17 | 19 | 23 | 29 | 31 | 37 | 41 | 43 | 47 | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Error | Absolute (¢) | 0.0 | -0.4 | +1.4 | -8.8 | +2.5 | +8.7 | +5.8 | -2.1 | -0.6 | +4.3 | -0.4 | +7.1 | -4.4 | +5.4 | -0.9 |
| Relative (%) | 0.0 | -2.3 | +7.5 | -47.8 | +13.7 | +47.1 | +31.5 | -11.5 | -3.2 | +23.1 | -2.3 | +38.6 | -24.1 | +29.3 | -4.8 | |
| Steps
(reduced) |
65
(0) |
103
(38) |
151
(21) |
182
(52) |
225
(30) |
241
(46) |
266
(6) |
276
(16) |
294
(34) |
316
(56) |
322
(62) |
339
(14) |
348
(23) |
353
(28) |
361
(36) | |
104edo
See 26edo#104edo.
130edo
See 26edo#130edo.
See also
- The Well-Tempered Triskaidecatonic Clavier (WT13C) project
