31edo

31edo supports Carlos Alpha and Miracle, alongside supporting Meantone.

31edo, or 31 equal divisions of the octave, is an equal tuning with a step size of approximately 39 cents. Aside from 12edo, it is a popular tuning of Meantone and has accurate approximations of harmonics 5 and 7.

Theory

Edostep interpretations

31edo's edostep has the following interpretations in the 2...13 subgroup:

• 49/48 (the difference between 7/6 and 8/7)
• 50/49 (the difference between 7/5 and 10/7)
• 64/63 (the difference between 8/7 and 9/8)
• 36/35 (the difference between 7/6 and 6/5)
• 54/55 (the difference between 6/5 and 11/9)
• 45/44 (the difference between 5/4 and 11/9)
• 128/125 (the difference between 5/4 and 32/25)
• 65/64 (the difference between 16/13 and 5/4)

JI approximation

31edo is best understood as a 2.3.5.7.11.23 system, although it has a sharp but functional prime 13. The flatness of harmonics 9 and 11 mostly cancel out, producing a close-to-pure ~11/9 neutral interval. It has a rather functional diatonic scale, with the whole tone split into 2 and 3, with 2 steps making a chromatic semitone (or "chromatone") and 3 steps making a diatonic semitone (or "diatone").

Approximation of prime harmonics in 31edo

Harmonic		2	3	5	7	11	13	17	19	23	29	31
Error	Absolute (¢)	0.0	-5.2	+0.8	-1.1	-9.4	+11.1	+11.2	+12.2	-8.9	+15.6	+16.3
	Relative (%)	0.0	-13.4	+2.0	-2.8	-24.2	+28.6	+28.9	+31.4	-23.0	+40.3	+42.0
Steps (reduced)		31 (0)	49 (18)	72 (10)	87 (25)	107 (14)	115 (22)	127 (3)	132 (8)	140 (16)	151 (27)	154 (30)

Thirds in 31edo

Quality	Subminor	Pentaminor	Neutral	Pentamajor	Supermajor
Cents	271	310	348	387	426
Just interpretation	7/6	6/5	11/9	5/4	9/7

Diatonic thirds are bolded.

Chords

Along with its diatonic major and minor chords which approximate 5-limit harmony, 31edo also has a narrow but functional supermajor triad, and a well-tuned subminor triad. It also supports arto and tendo chords, with its slendric chords of [0 6 18] and [0 12 18], and has a neutral triad [0 9 18] which represents both artoneutral and tendoneutral triads in the 11- and 13-limit.

Scales

31edo does not temper out 64/63, meaning that it can be used to tune Diasem while representing some simpler 5-limit intervals. 31edo's step is called a diesis, and can function as an aberrisma. Due to being a prime number, 31edo has a large number of full-period MOS scales that exist in the edo. Orwell[9] (gramitonic) is one example, so is Mohajira[7] (mosh).

31edo also has a usable 12-note chromatic scale, approximating golden Meantone/monocot.

Regular temperaments

Besides Meantone (for which it provides an excellent tuning and which is shared with 19edo), 31edo also supports variations of Rastmic temperament (like 24edo), Slendric (like 36edo), Miracle (like 41edo), and Orwell (like 22edo).

Notation

31edo, as one of the more popular edos, has a somewhat agreed-upon notation system. This notation is simply neutral diatonic notation applied to the edo, where a half-# or half-b represents an alteration by one diesis. In this manner, all notes can be spelled in a way that does not require multiple sharps or flats.

Step	Cents	ADIN	Neutral diatonic	Notation	Just intervals represented
0	0.00	unison	unison	A	1/1
1	38.71	superunison	semiaugmented unison	At	49/48, 50/49, 128/125
2	77.42	subminor second	semidiminished second	A#	25/24
3	116.13	nearminor second	minor second	Bb	16/15
4	154.84	neutral second	neutral second	Bd	11/10, 12/11
5	193.55	nearmajor second	major second	B	10/9, 9/8
6	232.26	supermajor second	semiaugmented second	Bt	8/7
7	270.97	subminor third	semidiminished third	Cd	7/6
8	309.68	nearminor third	minor third	C	6/5
9	348.39	neutral third	neutral third	Ct	11/9, 16/13
10	387.10	nearmajor third	major third	C#	5/4
11	425.81	supermajor third	semiaugmented third	Db	9/7
12	464.52	subfourth	semidiminished fourth	Dd	21/16, 13/10
13	503.23	perfect fourth	perfect fourth	D	4/3
14	541.94	neutral fourth	semiaugmented fourth	Dt	11/8, 15/11
15	580.65	nearaugmented fourth	augmented fourth	D#	7/5
16	619.35	neardiminished fifth	diminished fifth	Eb	10/7
17	658.06	neutral fifth	semidiminished fifth	Ed	16/11, 22/15
18	696.77	perfect fifth	perfect fifth	E	3/2
19	735.48	superfifth	semiaugmented fifth	Et	32/21, 20/13
20	774.19	subminor sixth	semidiminished sixth	Fd	14/9
21	812.90	nearminor sixth	minor sixth	F	8/5
22	851.61	neutral sixth	neutral sixth	Ft	13/8, 18/11
23	890.32	nearmajor sixth	major sixth	F#	5/3
24	929.03	supermajor sixth	semiaugmented sixth	Gb	12/7
25	967.74	subminor seventh	semidiminished seventh	Gd	7/4
26	1,006.45	nearminor seventh	minor seventh	G	9/5, 16/9
27	1,045.16	neutral seventh	neutral seventh	Gt	11/6, 20/11
28	1,083.87	nearmajor seventh	major seventh	G#	15/8
29	1,122.58	supermajor seventh	semiaugmented seventh	Ab	48/25
30	1,161.29	suboctave	semidiminished octave	Ad	49/25, 125/64, 96/49
31	1,200.00	octave	octave	A	2/1