7-limit: Difference between revisions
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== Full 7-limit JI scales == | == Full 7-limit JI scales == | ||
The scales are shown in [https://sw3.lumipakkanen.com/ Scale Workshop 3] format. | The scales are shown in [https://sw3.lumipakkanen.com/ Scale Workshop 3] format. Copy and paste into Scale Workshop 3 and you will be able to play the scale. | ||
=== Mode 5 === | === Mode 5 === | ||
<pre> | <pre> | ||
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=== Superpyth[12] === | === Superpyth[12] === | ||
Superpyth[12] is constructed by applying [[Superpyth]] temperament (2.3.5.7[22 & 27]; equivalently tempering out 64/63 and 245/243) to a 12-note chain of fifths. It contains Superpyth-tempered 5-limit [[blackdye]]. | Superpyth[12] is constructed by applying [[Superpyth]] temperament (2.3.5.7[22 & 27]; equivalently tempering out 64/63 and 245/243) to a 12-note chain of fifths. It contains Superpyth-tempered 5-limit [[blackdye]]. | ||
<pre> | |||
let L = 2187/2048 | |||
let s = 256/243 | |||
L;s;L;s;L;s;s;L;s;L;s;s; | |||
stack() | |||
27@ | |||
</pre> | |||
=== Pajara === | === Pajara === | ||
[[Pajara]] can be used as an interpretation of 2L8s and 10L2s or their modifications. Pajara works best in [[22edo]]. | [[Pajara]] can be used as an interpretation of 2L8s and 10L2s or their modifications. Pajara works best in [[22edo]]. | ||
==== Pajara[10] ==== | |||
<pre> | |||
let L = 10/9 | |||
let s = 16/15 | |||
s;s;L;s;s;s;s;L;s;s; | |||
stack() | |||
22@ | |||
</pre> | |||
==== Pentachordal Pajara[10] ==== | |||
<pre> | |||
let L = 10/9 | |||
let s = 16/15 | |||
s;s;s;s;s;L;s;s;s;L; | |||
stack() | |||
22@ | |||
</pre> | |||
==== Pajara[12] ==== | |||
<pre> | |||
let L = 16/15 | |||
let s = 25/24 | |||
L;L;L;L;L;s;L;L;L;L;L;s; | |||
stack() | |||
22@ | |||
</pre> | |||
==== Hexachordal Pajara[12] ==== | |||
<pre> | |||
let L = 16/15 | |||
let s = 25/24 | |||
L;L;L;L;s;L;L;L;L;L;L;s; | |||
stack() | |||
22@ | |||
</pre> | |||
=== 7-limit diachrome === | === 7-limit diachrome === | ||
7-limit diachrome, an [[aberrismic]] scale, is constructed by taking a 6+6 (for achiral diachrome) or 7+5 (for chiral diachrome) fifth chain structure and tempering out [[5120/5103]]. The scales are shown below in | 7-limit diachrome, an [[aberrismic]] scale, is constructed by taking a 6+6 (for achiral diachrome) or 7+5 (for chiral diachrome) fifth chain structure and tempering out [[5120/5103]]. The scales are shown below in 41edo tuning, but they work in any Aberschismic tuning such as [[46edo]] and [[53edo]]. | ||
==== 5sC ==== | ==== 5sC ==== | ||
<pre> | <pre> | ||
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L;s;L;s;L;m;s;L;s;L;s;m; | L;s;L;s;L;m;s;L;s;L;s;m; | ||
stack() | stack() | ||
41@ | |||
</pre> | </pre> | ||
==== 5sL ==== | ==== 5sL ==== | ||
| Line 88: | Line 128: | ||
L;s;L;s;L;m;L;s;L;s;m; | L;s;L;s;L;m;L;s;L;s;m; | ||
stack() | stack() | ||
41@ | |||
</pre> | </pre> | ||
==== 5sR ==== | ==== 5sR ==== | ||
| Line 97: | Line 137: | ||
L;m;s;L;s;L;s;L;m;s;L;s; | L;m;s;L;s;L;s;L;m;s;L;s; | ||
stack() | stack() | ||
41@ | |||
</pre> | </pre> | ||
| Line 103: | Line 143: | ||
Aberschismic whitedye is constructed by taking a diatonic scale and offsetting it by 64/63~81/80, tempering out [[5120/5103]]. | Aberschismic whitedye is constructed by taking a diatonic scale and offsetting it by 64/63~81/80, tempering out [[5120/5103]]. | ||
Shown below in | Shown below in 41edo tuning. | ||
<pre> | <pre> | ||
let L = 10/9 | let L = 10/9 | ||
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L;s;L;s;L;s;m;s;L;s;L;s;m;s; | L;s;L;s;L;s;m;s;L;s;L;s;m;s; | ||
stack() | stack() | ||
41@ | |||
</pre> | </pre> | ||
{{Cat|JI groups}} | {{Cat|JI groups}} | ||
Latest revision as of 23:16, 12 April 2026
The 7-limit or the 2.3.5.7 subgroup is the subgroup of just intonation consisting of the intervals reachable by stacking 2/1, 3/2, 5/4, and 7/4. Important subsets of the 7-limit include the 7-odd-limit and 9-odd-limit.
Rank-3 subgroups:
Full 7-limit JI scales
The scales are shown in Scale Workshop 3 format. Copy and paste into Scale Workshop 3 and you will be able to play the scale.
Mode 5
8:9:10:12:14:16
The simplest full 7-limit JI scale. This scale is notably used in the music of the Wagogo people in Tanzania.
Rooted Mixolydian
16:18:20:21:24:27:28:32
Rooted Ionian
16:18:20:21:24:27:30:32
Zil
Zil (from the temperament Godzilla which the zil series serves as a detempering of) is a series of 7-limit JI scales created from a generator sequence GS(8/7, 7/6, 8/7, 7/6, 8/7, 7/6, 8/7, 189/160).
Zil[14]
The most discussed of the zil scales is zil[14] which is chiral depending on the chirality of the interleaved 5-limit zarlino copies:
RH zil[14] = RH zarlino by 7/4
35/32; 9/8; 315/256; 5/4; 21/16; 45/32; 189/128; 3/2; 105/64; 27/16; 7/4; 15/8; 63/32; 2/1
LH zil[14] = LH zarlino by 7/4
21/20; 9/8; 7/6; 6/5; 21/16; 4/3; 7/5; 3/2; 63/40; 8/5; 7/4; 9/5; 63/32; 2/1
Zil[24]
Zil[24] is achiral. It has a 4×3×2 structure in the 7-limit lattice.
525/512; 135/128; 35/32; 9/8; 4725/4096; 75/64; 315/256; 5/4; 21/16; 675/512; 175/128; 45/32; 189/128; 3/2; 1575/1024; 25/16; 105/64; 27/16; 7/4; 225/128; 945/512; 15/8; 63/32; 2/1
12:14:16:18:21:24 by 5/4
A 10-note scale with an analogous structure to zil[14] (note that these are subsets of both zil[14] chiralities):
RH
35/32; 9/8; 5/4; 21/16; 45/32; 3/2; 105/64; 7/4; 15/8; 2/1
LH
16/15; 8/7; 6/5; 4/3; 48/35; 3/2; 8/5; 12/7; 64/35; 2/1
A Mothra[36] detemper
GS(8/7 8/7 147/128 8/7 8/7 147/128 8/7 8/7 147/128 8/7 8/7 245/216)[36]; 4×3×3 generator structure
33075/32768; 525/512; 135/128; 2205/2048; 35/32; 9/8; 147/128; 4725/4096; 75/64; 1225/1024; 315/256; 5/4; 1323/1024; 21/16; 675/512; 11025/8192; 175/128; 45/32; 735/512; 189/128; 3/2; 49/32; 1575/1024; 25/16; 6615/4096; 105/64; 27/16; 441/256; 7/4; 225/128; 3675/2048; 945/512; 15/8; 245/128; 63/32; 2/1
Full 7-limit tempered scales
Superpyth[12]
Superpyth[12] is constructed by applying Superpyth temperament (2.3.5.7[22 & 27]; equivalently tempering out 64/63 and 245/243) to a 12-note chain of fifths. It contains Superpyth-tempered 5-limit blackdye.
let L = 2187/2048 let s = 256/243 L;s;L;s;L;s;s;L;s;L;s;s; stack() 27@
Pajara
Pajara can be used as an interpretation of 2L8s and 10L2s or their modifications. Pajara works best in 22edo.
Pajara[10]
let L = 10/9 let s = 16/15 s;s;L;s;s;s;s;L;s;s; stack() 22@
Pentachordal Pajara[10]
let L = 10/9 let s = 16/15 s;s;s;s;s;L;s;s;s;L; stack() 22@
Pajara[12]
let L = 16/15 let s = 25/24 L;L;L;L;L;s;L;L;L;L;L;s; stack() 22@
Hexachordal Pajara[12]
let L = 16/15 let s = 25/24 L;L;L;L;s;L;L;L;L;L;L;s; stack() 22@
7-limit diachrome
7-limit diachrome, an aberrismic scale, is constructed by taking a 6+6 (for achiral diachrome) or 7+5 (for chiral diachrome) fifth chain structure and tempering out 5120/5103. The scales are shown below in 41edo tuning, but they work in any Aberschismic tuning such as 46edo and 53edo.
5sC
let L = 10/9 let m = 256/243 let s = 81/80 L;s;L;s;L;m;s;L;s;L;s;m; stack() 41@
5sL
let L = 10/9 let m = 256/243 let s = 81/80 L;s;L;s;L;m;L;s;L;s;m; stack() 41@
5sR
let L = 10/9 let m = 256/243 let s = 81/80 L;m;s;L;s;L;s;L;m;s;L;s; stack() 41@
Aberschismic whitedye
Aberschismic whitedye is constructed by taking a diatonic scale and offsetting it by 64/63~81/80, tempering out 5120/5103.
Shown below in 41edo tuning.
let L = 10/9 let m = 28/27 let s = 81/80 L;s;L;s;L;s;m;s;L;s;L;s;m;s; stack() 41@
