7edo: Difference between revisions
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=== JI approximation === | === JI approximation === | ||
7edo is, very crudely, a 2.3.5 system, and strength in 2.3.5 is generally what carries into other equiheptatonic scales. It can also be viewed in various other subgroups, most notably 2.3.13. The diatonic scale in 7edo is equivalent to every note in the tuning system; sharps and flats are not meaningful and all intervals are perfect. | 7edo is, very crudely, a 2.3.5 system, and strength in 2.3.5 is generally what carries into other equiheptatonic scales. It can also be viewed in various other subgroups, most notably 2.3.13 and 2.3.11, and equiheptatonic temperaments can be found that represent those subgroups as well. The diatonic scale in 7edo is equivalent to every note in the tuning system; sharps and flats are not meaningful and all intervals are perfect. | ||
{{Harmonics in ED|7|31}} | {{Harmonics in ED|7|31}} | ||
{| class="wikitable" | {| class="wikitable" | ||
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=== Scales === | === Scales === | ||
7edo is the first edo to distinguish the modes of the [[pentic]] scale. However, it is still small enough that it is well-temperable into scales (specifically, those of the 7-form discussed elsewhere in this article). In real world musical cultures which use near-equal 7-note scales, perfect 7edo is almost never used. | 7edo is the first edo to distinguish the modes of the [[pentic]] scale. However, it is still small enough that it is well-temperable into scales (specifically, those of the 7-form discussed elsewhere in this article). In real world musical cultures which use near-equal 7-note scales, perfect 7edo is almost never used. | ||
=== Derivation === | |||
7edo is derived by equalizing an equiheptatonic scale. | |||
== Notation == | == Notation == | ||
| Line 38: | Line 41: | ||
7edo may be interpreted as ''Whitewood'' temperament, which tempers out the Pythagorean [[chromatic semitone]]. The most obvious rank-2 extension is to add a free generator corresponding to 7/4, resulting in a system containing multiple copies of 7edo separated by the interval 7/4. This extension is supported by [[21edo]], which, along with 14edo, supports the [[Diatonic|omnidiatonic]] ternary diatonic scale. | 7edo may be interpreted as ''Whitewood'' temperament, which tempers out the Pythagorean [[chromatic semitone]]. The most obvious rank-2 extension is to add a free generator corresponding to 7/4, resulting in a system containing multiple copies of 7edo separated by the interval 7/4. This extension is supported by [[21edo]], which, along with 14edo, supports the [[Diatonic|omnidiatonic]] ternary diatonic scale. | ||
{{Cat|Edos}} | {{Cat|Edos}}{{Navbox EDO}} | ||
Latest revision as of 14:40, 4 April 2026
7edo is the basic equiheptatonic, where all the steps are tuned to be precisely equal. It features steps of (1200/7) ~= 171.4 cents.
Theory
Edostep interpretations
7edo's edostep has the following interpretations in the 2.3.5 subgroup:
- 9/8 (the diatonic major second)
- 10/9 (the interval separating 9/8 and 5/4)
- 16/15 (the interval separating 5/4 and 4/3)
JI approximation
7edo is, very crudely, a 2.3.5 system, and strength in 2.3.5 is generally what carries into other equiheptatonic scales. It can also be viewed in various other subgroups, most notably 2.3.13 and 2.3.11, and equiheptatonic temperaments can be found that represent those subgroups as well. The diatonic scale in 7edo is equivalent to every note in the tuning system; sharps and flats are not meaningful and all intervals are perfect.
| Harmonic | 2 | 3 | 5 | 7 | 11 | 13 | 17 | 19 | 23 | 29 | 31 | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Error | Absolute (¢) | 0.0 | -16.2 | -43.5 | +59.7 | -37.0 | +16.6 | +66.5 | +45.3 | +57.4 | -1.0 | +55.0 |
| Relative (%) | 0.0 | -9.5 | -25.3 | +34.9 | -21.6 | +9.7 | +38.8 | +26.5 | +33.5 | -0.6 | +32.1 | |
| Steps
(reduced) |
7
(0) |
11
(4) |
16
(2) |
20
(6) |
24
(3) |
26
(5) |
29
(1) |
30
(2) |
32
(4) |
34
(6) |
35
(7) | |
| Quality | Neutral |
|---|---|
| Cents | 343 |
| Just interpretation | 11/9 |
Diatonic thirds are bolded.
Chords
7edo features, for tertian triadic harmony, only a neutral chord [0 2 4] and the (rather discordant) sus chords [0 1 4] and [0 3 4]. Regardless, due to its triads and due to representing all seven degrees of the diatonic scale, it is the smallest edo where Western functional harmony works.
Scales
7edo is the first edo to distinguish the modes of the pentic scale. However, it is still small enough that it is well-temperable into scales (specifically, those of the 7-form discussed elsewhere in this article). In real world musical cultures which use near-equal 7-note scales, perfect 7edo is almost never used.
Derivation
7edo is derived by equalizing an equiheptatonic scale.
Notation
In 7edo, pretty much all reasonable notation schemes collapse to ABCDEFG on A=440Hz. Accidentals are not used.
Whitewood temperament
7edo may be interpreted as Whitewood temperament, which tempers out the Pythagorean chromatic semitone. The most obvious rank-2 extension is to add a free generator corresponding to 7/4, resulting in a system containing multiple copies of 7edo separated by the interval 7/4. This extension is supported by 21edo, which, along with 14edo, supports the omnidiatonic ternary diatonic scale.
| View • Talk • EditEqual temperaments | |
|---|---|
| EDOs | |
| Macrotonal | 5 • 7 • 8 • 9 • 10 • 11 |
| 12-23 | 12 • 13 • 14 • 15 • 16 • 17 • 18 • 19 • 20 • 21 • 22 • 23 |
| 24-35 | 24 • 25 • 26 • 27 • 29 • 31 • 32 • 34 • 35 |
| 36-47 | 36 • 37 • 39 • 40 • 41 • 43 • 44 • 45 • 46 • 47 |
| 48-59 | 48 • 50 • 51 • 53 • 54 • 56 • 57 • 58 |
| 60-71 | 60 • 63 • 64 • 65 • 67 • 68 • 70 |
| 72-83 | 72 • 77 • 80 • 81 |
| 84-95 | 84 • 87 • 89 • 90 • 93 • 94 |
| Large EDOs | 99 • 104 • 111 • 118 • 130 • 140 • 152 • 159 • 171 • 217 • 224 • 239 • 270 • 306 • 311 • 612 • 665 |
| Nonoctave equal temperaments | |
| Tritave | 4 • 9 • 13 • 17 • 26 • 39 |
| Fifth | 8 • 9 • 11 • 20 |
| Other | |
