2.3.35 and 2.3.49: Difference between revisions

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Tempering out 245/243 equates the two smallest steps, leaving 5L2m8s. Tempering out 1029/1024 equates 256/147 to 7/4.
Tempering out 245/243 equates the two smallest steps, leaving 5L2m8s. Tempering out 1029/1024 equates 256/147 to 7/4.
{| class="wikitable"
|+ Over-49 Chain
|-
! 3^ !! /49 !! *245/243 !! *1029/1024
|-
| -1 || 256/147 || 1280/729 || 7/4
|-
| 0 || 64/49 || 320/243 || 21/16
|-
| 1 || 96/49 || 160/81 || 63/32
|-
| 2 || 72/49 || 40/27 || 189/128
|-
| 3 || 54/49 || 10/9 || 567/512
|-
| 4 || 81/49 || 5/3 || 1701/1024
|-
| 5 || 243/196 || 5/4 || 5103/4096
|}

Revision as of 13:08, 26 October 2025

2.3.35 and 2.3.49 are two subsets of the 2.3.5.7 (septimal) group that involve many ratios further from 12edo than 2.3.7. The 35th harmonic (5*7) perfectly combines the deviations of the 5th and 7th harmonics to be about as far from 12edo as possible, whereas the 49th harmonic (7*7) overshoots slightly.

Intervals

2.3.35

2.3.35 intervals are the difference between a 5-over and 7-under interval, or vice versa.

36/35 septimal quarter tone

35/32 septimal neutral second

81/70 septimal semifourth

2.3.5.49

2.3.49 intervals are the difference between a 7-over and 7-under interval. 49/5 is further from 12edo.

54/49 larger neutral second

49/45 smaller neutral second

49/40 neutral third

2.3.5.49 tripentatonic 5L2m5s3a (blackdye A Aeolian with added chain of 5/49 offset)

81/80

54/49

9/8

6/5

64/49

4/3

27/20

72/49

3/2

8/5

256/147

16/9

9/5

96/49

2/1

Tempering out 245/243 equates the two smallest steps, leaving 5L2m8s. Tempering out 1029/1024 equates 256/147 to 7/4.

Over-49 Chain
3^ /49 *245/243 *1029/1024
-1 256/147 1280/729 7/4
0 64/49 320/243 21/16
1 96/49 160/81 63/32
2 72/49 40/27 189/128
3 54/49 10/9 567/512
4 81/49 5/3 1701/1024
5 243/196 5/4 5103/4096