List of regular temperaments: Difference between revisions
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|monocot|| 7, 12 | |monocot|| 7, 12 | ||
|softer diatonic, m-chromatic|| Common historical temperament for 5-limit diatonic harmony. || 81/80 | |softer diatonic, m-chromatic|| Common historical temperament for 5-limit diatonic harmony. || 81/80 | ||
|Medium | |4 Medium | ||
|692-697c | |692-697c | ||
|- | |- | ||
| Line 22: | Line 22: | ||
|monocot|| 19, 31 | |monocot|| 19, 31 | ||
|softer diatonic, m-chromatic|| Canonical extension of the above to 2...7. || 81/80, 225/224 | |softer diatonic, m-chromatic|| Canonical extension of the above to 2...7. || 81/80, 225/224 | ||
|Medium | |4 Medium | ||
|695-697c | |695-697c | ||
|- | |- | ||
| Line 32: | Line 32: | ||
|Less accurate extension, more melodic intuition, easily extends to higher limits. 7-form version of Meantone. | |Less accurate extension, more melodic intuition, easily extends to higher limits. 7-form version of Meantone. | ||
|525/512, 81/80 | |525/512, 81/80 | ||
|Low | |6 Low | ||
|692-694c | |692-694c | ||
|- | |- | ||
| Line 43: | Line 43: | ||
|Adds a 600c tritone representing 7/5 to meantone. | |Adds a 600c tritone representing 7/5 to meantone. | ||
|81/80, 50/49 | |81/80, 50/49 | ||
|Medium-low | |5 Medium-low | ||
|92-96c | |92-96c | ||
|- | |- | ||
| Line 51: | Line 51: | ||
|onyx, pine|| Moderate-accuracy 2.3.5.11 temperament with a ~160c generator and a heptatonic MOS. | |onyx, pine|| Moderate-accuracy 2.3.5.11 temperament with a ~160c generator and a heptatonic MOS. | ||
|250/243, 100/99 | |250/243, 100/99 | ||
|Medium-low | |5 Medium-low | ||
|161-166c | |161-166c | ||
|- | |- | ||
| Line 58: | Line 58: | ||
|onyx, pine|| Extension of the above to the full 11-limit. | |onyx, pine|| Extension of the above to the full 11-limit. | ||
|250/243, 100/99, 64/63 | |250/243, 100/99, 64/63 | ||
|Medium-low | |5 Medium-low | ||
|161-163c | |161-163c | ||
|- | |- | ||
| Line 65: | Line 65: | ||
|mosh, dicoid|| 5-limit exotemperament equating 5/4 and 6/5 to the same interval. | |mosh, dicoid|| 5-limit exotemperament equating 5/4 and 6/5 to the same interval. | ||
|25/24 | |25/24 | ||
|Very low | |7 Very low | ||
|670-680c, 720-730c | |670-680c, 720-730c | ||
|- | |- | ||
| Line 72: | Line 72: | ||
|archeotonic, 7L6s|| Interprets (3/2)^(1/4) as 10/9. | |archeotonic, 7L6s|| Interprets (3/2)^(1/4) as 10/9. | ||
|100/99, 243/242 | |100/99, 243/242 | ||
|High (2.3.5), Medium (extensions) | |2 High (2.3.5), Medium (extensions) | ||
|175-180c | |175-180c | ||
|- | |- | ||
| Line 84: | Line 84: | ||
|Sets 6/5 to 300 cents; a step up from 600 cents is 3/2. | |Sets 6/5 to 300 cents; a step up from 600 cents is 3/2. | ||
|648/625 | |648/625 | ||
|Medium-low | |5 Medium-low | ||
|685-700c | |685-700c | ||
|- | |- | ||
| Line 94: | Line 94: | ||
|Exotempered extension of the above that sets 7/6 to 300 cents. | |Exotempered extension of the above that sets 7/6 to 300 cents. | ||
|36/35, 50/49 | |36/35, 50/49 | ||
|Very low | |7 Very low | ||
|685-700c | |685-700c | ||
|- | |- | ||
| Line 105: | Line 105: | ||
|Sets 5/4 to 400 cents, a step down from 800c is 3/2 and 2 steps up is 7/4. | |Sets 5/4 to 400 cents, a step down from 800c is 3/2 and 2 steps up is 7/4. | ||
|128/125 | |128/125 | ||
|Low | |6 Low | ||
|705-715c | |705-715c | ||
|- | |- | ||
| Line 116: | Line 116: | ||
|5-limit interpretation of Pythagorean tuning, best tuned when the fifth is flattened by a fraction of a cent. | |5-limit interpretation of Pythagorean tuning, best tuned when the fifth is flattened by a fraction of a cent. | ||
|schisma | |schisma | ||
|Very high | |1 Very high | ||
|701-702c | |701-702c | ||
|- | |- | ||
| Line 126: | Line 126: | ||
|7-limit interpretation of Pythagorean tuning. It is most accurate when the fifth is tuned slightly sharp. | |7-limit interpretation of Pythagorean tuning. It is most accurate when the fifth is tuned slightly sharp. | ||
|schisma, 225/224 | |schisma, 225/224 | ||
|Medium-high | |3 Medium-high | ||
|702-703c | |702-703c | ||
|- | |- | ||
| Line 137: | Line 137: | ||
|5/4 is 4 times the difference between 3/2 and 800c. | |5/4 is 4 times the difference between 3/2 and 800c. | ||
|misty comma | |misty comma | ||
|Medium-high | |3 Medium-high | ||
|701-708c | |701-708c | ||
|- | |- | ||
| Line 148: | Line 148: | ||
|Temperament characterized by a perfect semioctave and a sharpened fifth or semitone generator. Two generators down reaches 5/4. | |Temperament characterized by a perfect semioctave and a sharpened fifth or semitone generator. Two generators down reaches 5/4. | ||
|diaschisma, 136/135 | |diaschisma, 136/135 | ||
|Medium | |4 Medium | ||
|100-111c | |100-111c | ||
|- | |- | ||
| Line 158: | Line 158: | ||
|Rather complex 7-limit extension of the above. | |Rather complex 7-limit extension of the above. | ||
|diaschisma, 126/125, 136/135 | |diaschisma, 126/125, 136/135 | ||
|Medium | |4 Medium | ||
|103-104c | |103-104c | ||
|- | |- | ||
| Line 169: | Line 169: | ||
|Jubilic archytas diaschismic temperament. Contains jubilic chord structure and is strongly associated with 22edo. | |Jubilic archytas diaschismic temperament. Contains jubilic chord structure and is strongly associated with 22edo. | ||
|diaschisma, 50/49, 136/135 | |diaschisma, 50/49, 136/135 | ||
|Medium-low | |5 Medium-low | ||
|109-111c | |109-111c | ||
|- | |- | ||
| Line 181: | Line 181: | ||
|Stacks five flattened major thirds to form a perfect twelfth. 5/4-generated analog of Meantone. | |Stacks five flattened major thirds to form a perfect twelfth. 5/4-generated analog of Meantone. | ||
|magisma | |magisma | ||
|Medium | |4 Medium | ||
|378-382c | |378-382c | ||
|- | |- | ||
| Line 192: | Line 192: | ||
|Eight 5/4s stack to 3/2 and three 25/24s stack to two 16/15s. 5/4-generated analog of Schismic. Bad for MOSes. | |Eight 5/4s stack to 3/2 and three 25/24s stack to two 16/15s. 5/4-generated analog of Schismic. Bad for MOSes. | ||
|576/575, 12167/12150 | |576/575, 12167/12150 | ||
|Medium-high | |3 Medium-high | ||
|386-389c | |386-389c | ||
|- | |- | ||
| Line 204: | Line 204: | ||
|Extremely inaccurate exotemperament which equates 5/4 with 4/3. | |Extremely inaccurate exotemperament which equates 5/4 with 4/3. | ||
|16/15 | |16/15 | ||
|Extremely low | |8 Extremely low | ||
|720-800c | |720-800c | ||
|- | |- | ||
| Line 216: | Line 216: | ||
|A highly accurate temperament equating a stack of six slightly sharp 6/5's to one 3/1 and three 6/5's to one 26/15. | |A highly accurate temperament equating a stack of six slightly sharp 6/5's to one 3/1 and three 6/5's to one 26/15. | ||
|kleisma, 325/324 | |kleisma, 325/324 | ||
|High | |2 High | ||
|317c | |317c | ||
|- | |- | ||
| Line 228: | Line 228: | ||
|Generator is a sharp minor second of 16/15 which stacks 3 times to 5/4, and can be seen as a counterpart of Porcupine. | |Generator is a sharp minor second of 16/15 which stacks 3 times to 5/4, and can be seen as a counterpart of Porcupine. | ||
|16875/16384 | |16875/16384 | ||
|Medium-low | |5 Medium-low | ||
|124-128c | |124-128c | ||
|- | |- | ||
| Line 238: | Line 238: | ||
|Weak Jubilismic or Buzzard extension of Negri allowing intervals of 7 to be reached with a 600-cent offset. | |Weak Jubilismic or Buzzard extension of Negri allowing intervals of 7 to be reached with a 600-cent offset. | ||
|16875/16384, 50/49, 243/242 | |16875/16384, 50/49, 243/242 | ||
|Low | |6 Low | ||
|124-128c | |124-128c | ||
|- | |- | ||
| Line 248: | Line 248: | ||
|Semaphore extension of negri. | |Semaphore extension of negri. | ||
|16875/16384, 49/48 | |16875/16384, 49/48 | ||
|Very low | |7 Very low | ||
|124-128c | |124-128c | ||
|} | |} | ||
| Line 266: | Line 266: | ||
|soft pentic, harder diatonic, p-chromatic|| 2.3.7 counterpart of Meantone, which sharpens the fifth. | |soft pentic, harder diatonic, p-chromatic|| 2.3.7 counterpart of Meantone, which sharpens the fifth. | ||
|64/63 | |64/63 | ||
|Medium-low | |5 Medium-low | ||
|709-720c | |709-720c | ||
|- | |- | ||
| Line 273: | Line 273: | ||
|soft pentic, harder diatonic, p-chromatic|| Extension of the above to 2...7, favoring flatter tunings. | |soft pentic, harder diatonic, p-chromatic|| Extension of the above to 2...7, favoring flatter tunings. | ||
|64/63, 245/243 | |64/63, 245/243 | ||
|Medium-low | |5 Medium-low | ||
|709-711c | |709-711c | ||
|- | |- | ||
| Line 284: | Line 284: | ||
|Splits the fifth in 3 parts, each of which is 8/7. Little relation to actual [[Equipentatonic#Slendro|Slendro tuning]]. | |Splits the fifth in 3 parts, each of which is 8/7. Little relation to actual [[Equipentatonic#Slendro|Slendro tuning]]. | ||
|gamelisma | |gamelisma | ||
|Medium-high | |3 Medium-high | ||
|231-234c | |231-234c | ||
|- | |- | ||
| Line 294: | Line 294: | ||
|Meantone extension of the above. | |Meantone extension of the above. | ||
|81/80, gamelisma | |81/80, gamelisma | ||
|Medium | |4 Medium | ||
|231c | |231c | ||
|- | |- | ||
| Line 304: | Line 304: | ||
|More accurate extension of the above. | |More accurate extension of the above. | ||
|245/243, gamelisma | |245/243, gamelisma | ||
|Medium | |4 Medium | ||
|234c | |234c | ||
|- | |- | ||
| Line 314: | Line 314: | ||
|Generated by a 15/14~16/15 semitone, two of which reach a slendric 8/7. | |Generated by a 15/14~16/15 semitone, two of which reach a slendric 8/7. | ||
|225/224, 243/242, gamelisma | |225/224, 243/242, gamelisma | ||
|Medium-high | |3 Medium-high | ||
|117c | |117c | ||
|- | |- | ||
| Line 324: | Line 324: | ||
|Scale with small steps strongly associated with Carlos Alpha. | |Scale with small steps strongly associated with Carlos Alpha. | ||
|126/125, gamelisma | |126/125, gamelisma | ||
|Medium-high | |3 Medium-high | ||
|78c | |78c | ||
|- | |- | ||
| Line 335: | Line 335: | ||
|Sharpens the 21/16 so that four of them stacks to the 3/1. | |Sharpens the 21/16 so that four of them stacks to the 3/1. | ||
|buzzardsma | |buzzardsma | ||
|Medium | |4 Medium | ||
|474-478c | |474-478c | ||
|- | |- | ||
| Line 346: | Line 346: | ||
|Equipentatonic, inaccurate 7-limit temperament. | |Equipentatonic, inaccurate 7-limit temperament. | ||
|49/48 | |49/48 | ||
|Low | |6 Low | ||
|240-250c | |240-250c | ||
|- | |- | ||
| Line 358: | Line 358: | ||
|No-fives temperament generated by a flattened 9/7 equated with 14/11. | |No-fives temperament generated by a flattened 9/7 equated with 14/11. | ||
|99/98, 243/242 | |99/98, 243/242 | ||
|Medium | |4 Medium | ||
|424-426c | |424-426c | ||
|} | |} | ||
| Line 376: | Line 376: | ||
|mosh, dicoid|| Maps 11/9 and its fifth complement to a perfect neutral third. | |mosh, dicoid|| Maps 11/9 and its fifth complement to a perfect neutral third. | ||
|243/242 | |243/242 | ||
|Medium-high | |3 Medium-high | ||
|345-355c | |345-355c | ||
|- | |- | ||
| Line 383: | Line 383: | ||
|mosh, dicoid|| Meantone extension of the above. Can optionally be extended to set 7/4 equal to the semiflat minor seventh, or via a strong meantone extension. | |mosh, dicoid|| Meantone extension of the above. Can optionally be extended to set 7/4 equal to the semiflat minor seventh, or via a strong meantone extension. | ||
|243/242, 81/80 | |243/242, 81/80 | ||
|Medium-low | |5 Medium-low | ||
|347-350c | |347-350c | ||
|- | |- | ||
| Line 394: | Line 394: | ||
|Maps 16/13 and its fifth complement to a perfect neutral third. | |Maps 16/13 and its fifth complement to a perfect neutral third. | ||
|512/507 | |512/507 | ||
|Medium | |4 Medium | ||
|350-360c | |350-360c | ||
|- | |- | ||
| Line 404: | Line 404: | ||
|Archy extension of the above. | |Archy extension of the above. | ||
|512/507, 64/63 | |512/507, 64/63 | ||
|Medium-low | |5 Medium-low | ||
|355-360c | |355-360c | ||
|} | |} | ||
| Line 426: | Line 426: | ||
|Sets the spacing of the thirds to 7/6-#-6/5-#-#-5/4-#-9/7; mostly appears as a structural element of EDOs rather than an independent structure. | |Sets the spacing of the thirds to 7/6-#-6/5-#-#-5/4-#-9/7; mostly appears as a structural element of EDOs rather than an independent structure. | ||
|4375/4374, 5120/5103 | |4375/4374, 5120/5103 | ||
|High | |2 High | ||
|338-340c | |338-340c | ||
|- | |- | ||
| Line 438: | Line 438: | ||
|Acts as a closed circle of 12 fifths (see [[12edo]]), but with 5/4 flattened by a diesis from 400c, and 7/4 flattened by twice that amount from 1000c. | |Acts as a closed circle of 12 fifths (see [[12edo]]), but with 5/4 flattened by a diesis from 400c, and 7/4 flattened by twice that amount from 1000c. | ||
|pythagorean comma | |pythagorean comma | ||
|Medium-high | |3 Medium-high | ||
|385c | |385c | ||
|- | |- | ||
| Line 450: | Line 450: | ||
|Sets 6/5 and 7/6 the same distance from the 300c period, so that four ~25c generators stack to the semitone separating 3/2 from 600c. | |Sets 6/5 and 7/6 the same distance from the 300c period, so that four ~25c generators stack to the semitone separating 3/2 from 600c. | ||
|50/49, 875/864 | |50/49, 875/864 | ||
|Medium-low | |5 Medium-low | ||
|325c | |325c | ||
|- | |- | ||
| Line 461: | Line 461: | ||
|Sets 25/24 equal to twice 36/35. | |Sets 25/24 equal to twice 36/35. | ||
|126/125, 1728/1715 | |126/125, 1728/1715 | ||
|Medium-high | |3 Medium-high | ||
|309-311c | |309-311c | ||
|- | |- | ||
| Line 473: | Line 473: | ||
|Generator is a sharpened 7/6. Interval chain finds 7/6, 11/8, 8/5, 15/8, 11/10, 9/7, 3/2. | |Generator is a sharpened 7/6. Interval chain finds 7/6, 11/8, 8/5, 15/8, 11/10, 9/7, 3/2. | ||
|99/98, 121/120, 176/175 | |99/98, 121/120, 176/175 | ||
|Medium-high | |3 Medium-high | ||
|270-273c | |270-273c | ||
|- | |- | ||
| Line 484: | Line 484: | ||
|Divides the octave into nine equal parts representing 27/25 and half of 7/6. | |Divides the octave into nine equal parts representing 27/25 and half of 7/6. | ||
|2401/2400, 4375/4374 | |2401/2400, 4375/4374 | ||
|Very high | |1 Very high | ||
|44-53c | |44-53c | ||
|- | |- | ||
| Line 496: | Line 496: | ||
|Generator is a neutral second, but places primes at high complexity, preferring ratios between them. | |Generator is a neutral second, but places primes at high complexity, preferring ratios between them. | ||
|126/125, 2430/2401 | |126/125, 2430/2401 | ||
|Medium | |4 Medium | ||
|154-155c | |154-155c | ||
|} | |} | ||
| Line 513: | Line 513: | ||
|alpha-triseph<sup>[a]</sup>|| 7, 9 | |alpha-triseph<sup>[a]</sup>|| 7, 9 | ||
|antidiatonic, armotonic, 9L 7s|| Basic antidiatonic temperament with no 3. || mabilisma | |antidiatonic, armotonic, 9L 7s|| Basic antidiatonic temperament with no 3. || mabilisma | ||
|Medium | |4 Medium | ||
|668-680c | |668-680c | ||
|- | |- | ||
| Line 519: | Line 519: | ||
|alpha-triseph|| 16, 25 | |alpha-triseph|| 16, 25 | ||
|antidiatonic, armotonic, 9L 7s|| High-accuracy but high complexity extension of prime 3. || gamelisma, magisma | |antidiatonic, armotonic, 9L 7s|| High-accuracy but high complexity extension of prime 3. || gamelisma, magisma | ||
|Medium | |4 Medium | ||
|672-675c | |672-675c | ||
|- | |- | ||
| Line 526: | Line 526: | ||
|antidiatonic, armotonic, 9L 7s|| Combination of Mabilic and Semaphore. | |antidiatonic, armotonic, 9L 7s|| Combination of Mabilic and Semaphore. | ||
|49/48, 28672/28125 | |49/48, 28672/28125 | ||
|Low | |6 Low | ||
|668-672c | |668-672c | ||
|- | |- | ||
| Line 533: | Line 533: | ||
|antidiatonic, armotonic, 7L 9s|| Exotemperament serving as an antidiatonic analog of meantone. | |antidiatonic, armotonic, 7L 9s|| Exotemperament serving as an antidiatonic analog of meantone. | ||
|36/35, 135/128 | |36/35, 135/128 | ||
|Very low | |7 Very low | ||
|675-680c | |675-680c | ||
|- | |- | ||
| Line 545: | Line 545: | ||
|A high-accuracy rank-2 temperament generated by a tempered 77/64. | |A high-accuracy rank-2 temperament generated by a tempered 77/64. | ||
|65536/65219 | |65536/65219 | ||
|Medium-high | |3 Medium-high | ||
|320-325c | |320-325c | ||
|- | |- | ||
| Line 557: | Line 557: | ||
|Every other step of septimal meantone. | |Every other step of septimal meantone. | ||
|3136/3125 | |3136/3125 | ||
|High | |2 High | ||
|192-196c | |192-196c | ||
|} | |} | ||
| Line 580: | Line 580: | ||
|Basic tritave temperament that stacks 9/7 twice to reach 5/3. Generates the lambda (4L5s{{angbr|3/1}}) MOS scale, or can be used with octaves as Sensamagic.2. | |Basic tritave temperament that stacks 9/7 twice to reach 5/3. Generates the lambda (4L5s{{angbr|3/1}}) MOS scale, or can be used with octaves as Sensamagic.2. | ||
|245/243 | |245/243 | ||
|Medium-high | |3 Medium-high | ||
|435-440c | |435-440c | ||
|- | |- | ||
| Line 591: | Line 591: | ||
|Very sharp extension of Sensamagic, which finds the octave at 125/63. | |Very sharp extension of Sensamagic, which finds the octave at 125/63. | ||
|91/90, 126/125, 169/168 | |91/90, 126/125, 169/168 | ||
|Medium | |4 Medium | ||
|440-445c | |440-445c | ||
|} | |} | ||
Revision as of 00:16, 2 April 2026
- Main article: Regular temperament
Rank-2
2.3.5.x families
| Form | Family | Name | Subgroup | Ploidacot | ETs | Usual Scale Type | Description | Commas | Accuracy (Vector) | Generator size |
|---|---|---|---|---|---|---|---|---|---|---|
| 7 | Syntonic | Meantone | 2.3.5 | monocot | 7, 12 | softer diatonic, m-chromatic | Common historical temperament for 5-limit diatonic harmony. | 81/80 | 4 Medium | 692-697c |
| Septimal Meantone | 2.3.5.7 | monocot | 19, 31 | softer diatonic, m-chromatic | Canonical extension of the above to 2...7. | 81/80, 225/224 | 4 Medium | 695-697c | ||
| Flattone | 2.3.5.7 | monocot | 19, 26 | softer diatonic, m-chromatic | Less accurate extension, more melodic intuition, easily extends to higher limits. 7-form version of Meantone. | 525/512, 81/80 | 6 Low | 692-694c | ||
| 12 | Injera | 2.3.5.7 | diploid monocot | 12, 26 | thalassic | Adds a 600c tritone representing 7/5 to meantone. | 81/80, 50/49 | 5 Medium-low | 92-96c | |
| 7 | Porcupine | Porcupine | 2.3.5.11 | omega-tricot | 15, 22 | onyx, pine | Moderate-accuracy 2.3.5.11 temperament with a ~160c generator and a heptatonic MOS. | 250/243, 100/99 | 5 Medium-low | 161-166c |
| Septimal Porcupine | 2.3.5.7.11 | omega-tricot | 15, 22 | onyx, pine | Extension of the above to the full 11-limit. | 250/243, 100/99, 64/63 | 5 Medium-low | 161-163c | ||
| Interclassical | Interclassical, Dicot | 2.3.5 | dicot | 7, 10 | mosh, dicoid | 5-limit exotemperament equating 5/4 and 6/5 to the same interval. | 25/24 | 7 Very low | 670-680c, 720-730c | |
| Tetracot [rename] | Tetracot [rename] | 2.3.5.11 | tetracot | 34, 41 | archeotonic, 7L6s | Interprets (3/2)^(1/4) as 10/9. | 100/99, 243/242 | 2 High (2.3.5), Medium (extensions) | 175-180c | |
| 12 | Diminished | Diminished | 2.3.5 | tetraploid monocot | 12, 16 | tetrawood, 4L 8s | Sets 6/5 to 300 cents; a step up from 600 cents is 3/2. | 648/625 | 5 Medium-low | 685-700c |
| Dimisept | 2.3.5.7 | tetraploid monocot | 12, 16 | tetrawood, 4L 8s | Exotempered extension of the above that sets 7/6 to 300 cents. | 36/35, 50/49 | 7 Very low | 685-700c | ||
| Augmented | Augmented | 2.3.5.7 | triploid monocot | 12, 15 | triwood, tcherepnin | Sets 5/4 to 400 cents, a step down from 800c is 3/2 and 2 steps up is 7/4. | 128/125 | 6 Low | 705-715c | |
| Schismic | Schismic | 2.3.5 | monocot | 41, 53 | harder diatonic, p-chromatic | 5-limit interpretation of Pythagorean tuning, best tuned when the fifth is flattened by a fraction of a cent. | schisma | 1 Very high | 701-702c | |
| Garibaldi | 2.3.5.7 | monocot | 41, 53 | harder diatonic, p-chromatic | 7-limit interpretation of Pythagorean tuning. It is most accurate when the fifth is tuned slightly sharp. | schisma, 225/224 | 3 Medium-high | 702-703c | ||
| Misty | Misty | 2.3.5 | triploid monocot | 12, 51 | 5/4 is 4 times the difference between 3/2 and 800c. | misty comma | 3 Medium-high | 701-708c | ||
| Diaschismic | Diaschismic | 2.3.5.17 | diploid monocot | 12, 34 | jaric, 10L 2s | Temperament characterized by a perfect semioctave and a sharpened fifth or semitone generator. Two generators down reaches 5/4. | diaschisma, 136/135 | 4 Medium | 100-111c | |
| Septimal Diaschismic | 2.3.5.7.17 | diploid monocot | 12, 34 | jaric, 10L 2s | Rather complex 7-limit extension of the above. | diaschisma, 126/125, 136/135 | 4 Medium | 103-104c | ||
| 10 | Pajara | 2.3.5.7.17 | diploid monocot | 12, 22 | jaric, 10L 2s | Jubilic archytas diaschismic temperament. Contains jubilic chord structure and is strongly associated with 22edo. | diaschisma, 50/49, 136/135 | 5 Medium-low | 109-111c | |
| 3 | Magic | Magic | 2.3.5 | alpha-pentacot | 19, 22 | mosh, sephiroid | Stacks five flattened major thirds to form a perfect twelfth. 5/4-generated analog of Meantone. | magisma | 4 Medium | 378-382c |
| Wurschmidt | Wurschmidt | 2.3.5.11.23 | beta-octacot | 31, 34 | - | Eight 5/4s stack to 3/2 and three 25/24s stack to two 16/15s. 5/4-generated analog of Schismic. Bad for MOSes. | 576/575, 12167/12150 | 3 Medium-high | 386-389c | |
| 8 | Father | Father | 2.3.5 | monocot | 3, 5 | antipentic | Extremely inaccurate exotemperament which equates 5/4 with 4/3. | 16/15 | 8 Extremely low | 720-800c |
| 4 | Kleismic | Kleismic, Cata | 2.3.5.13 | alpha-hexacot | 19, 34 | smitonic, 4L7s, 4L11s | A highly accurate temperament equating a stack of six slightly sharp 6/5's to one 3/1 and three 6/5's to one 26/15. | kleisma, 325/324 | 2 High | 317c |
| 10 | Negri | Negri | 2.3.5 | omega-tetracot | 10, 19 | Generator is a sharp minor second of 16/15 which stacks 3 times to 5/4, and can be seen as a counterpart of Porcupine. | 16875/16384 | 5 Medium-low | 124-128c | |
| Semibuzzard | 2.3.5.7.11 | 10, 28 | taric | Weak Jubilismic or Buzzard extension of Negri allowing intervals of 7 to be reached with a 600-cent offset. | 16875/16384, 50/49, 243/242 | 6 Low | 124-128c | |||
| Negrisept | 2.3.5.7 | 10, 19 | Semaphore extension of negri. | 16875/16384, 49/48 | 7 Very low | 124-128c |
2.3.7.x families
| Form | Family | Name | Subgroup | Ploidacot | ETs | Usual Scale Type | Description | Commas | Accuracy | Generator size |
|---|---|---|---|---|---|---|---|---|---|---|
| 5 | Archy | Archy | 2.3.7 | monocot | 5, 22 | soft pentic, harder diatonic, p-chromatic | 2.3.7 counterpart of Meantone, which sharpens the fifth. | 64/63 | 5 Medium-low | 709-720c |
| Superpyth | 2.3.5.7 | monocot | 22, 27 | soft pentic, harder diatonic, p-chromatic | Extension of the above to 2...7, favoring flatter tunings. | 64/63, 245/243 | 5 Medium-low | 709-711c | ||
| Gamelic | Slendric, Wonder | 2.3.7 | tricot | 5, 31 | 1L 4s, machinoid, 5L 6s | Splits the fifth in 3 parts, each of which is 8/7. Little relation to actual Slendro tuning. | gamelisma | 3 Medium-high | 231-234c | |
| Mothra | 2.3.5.7 | tricot | 26, 31 | 1L 4s, machinoid, 5L 6s | Meantone extension of the above. | 81/80, gamelisma | 4 Medium | 231c | ||
| Rodan | 2.3.5.7 | tricot | 41, 46 | 1L 4s, machinoid, 5L 6s | More accurate extension of the above. | 245/243, gamelisma | 4 Medium | 234c | ||
| Miracle | 2.3.5.7.11 | hexacot | 31, 41 | antisinatonic, 10L 1s | Generated by a 15/14~16/15 semitone, two of which reach a slendric 8/7. | 225/224, 243/242, gamelisma | 3 Medium-high | 117c | ||
| Valentine | 2.3.5.7 | enneacot | 15, 16 | 15L 1s, Carlos Alpha | Scale with small steps strongly associated with Carlos Alpha. | 126/125, gamelisma | 3 Medium-high | 78c | ||
| Buzzard | Buzzard | 2.3.5.7.13 | alpha-tetracot | 53, 58 | Sharpens the 21/16 so that four of them stacks to the 3/1. | buzzardsma | 4 Medium | 474-478c | ||
| Interseptimal | Interseptimal, Semaphore | 2.3.7 | alpha-dicot | 5, 19 | 4L 1s, semiquartal | Equipentatonic, inaccurate 7-limit temperament. | 49/48 | 6 Low | 240-250c | |
| 13 | Squares | Squares | 2.3.7.11 | beta-tetracot | 14, 17 | 3L 5s, 3L 8s, 3L 11s | No-fives temperament generated by a flattened 9/7 equated with 14/11. | 99/98, 243/242 | 4 Medium | 424-426c |
2.3.x families
| Form | Family | Name | Subgroup | Ploidacot | ETs | Usual Scale Type | Description | Commas | Accuracy | Generator size |
|---|---|---|---|---|---|---|---|---|---|---|
| 7 | Rastmatic | Rastmatic | 2.3.11 | dicot | 7, 10 | mosh, dicoid | Maps 11/9 and its fifth complement to a perfect neutral third. | 243/242 | 3 Medium-high | 345-355c |
| Mohajira | 2.3.5.11 | dicot | 24, 31 | mosh, dicoid | Meantone extension of the above. Can optionally be extended to set 7/4 equal to the semiflat minor seventh, or via a strong meantone extension. | 243/242, 81/80 | 5 Medium-low | 347-350c | ||
| Intratridecimal | Intratridecimal | 2.3.13 | dicot | 27, 10 | mosh, dicoid | Maps 16/13 and its fifth complement to a perfect neutral third. | 512/507 | 4 Medium | 350-360c | |
| (To be named) | 2.3.7.13 | dicot | 27, 10 | mosh, dicoid | Archy extension of the above. | 512/507, 64/63 | 5 Medium-low | 355-360c |
2.3.5.7.x families
| Form | Family | Name | Subgroup | Ploidacot | ETs | Usual Scale Type | Description | Commas | Accuracy | Generator size |
|---|---|---|---|---|---|---|---|---|---|---|
| 7 | Amity | Amity | 2.3.5.7 | gamma-pentacot | 46, 53 | 7L 18s, 7L 25s | Sets the spacing of the thirds to 7/6-#-6/5-#-#-5/4-#-9/7; mostly appears as a structural element of EDOs rather than an independent structure. | 4375/4374, 5120/5103 | 2 High | 338-340c |
| 12 | Compton | Compton | 2.3.5.7 | dodecaploid acot | 12, 60 | dodecawood | Acts as a closed circle of 12 fifths (see 12edo), but with 5/4 flattened by a diesis from 400c, and 7/4 flattened by twice that amount from 1000c. | pythagorean comma | 3 Medium-high | 385c |
| 4 | Doublewide | Doublewide | 2.3.5.7 | 22, 48 | Sets 6/5 and 7/6 the same distance from the 300c period, so that four ~25c generators stack to the semitone separating 3/2 from 600c. | 50/49, 875/864 | 5 Medium-low | 325c | ||
| Myna | Myna | 2.3.5.7 | beta-decacot | 27, 31 | - | Sets 25/24 equal to twice 36/35. | 126/125, 1728/1715 | 3 Medium-high | 309-311c | |
| 9 | Orwell | Orwell | 2.3.5.7.11 | alpha-heptacot | 22, 31 | gramitonic | Generator is a sharpened 7/6. Interval chain finds 7/6, 11/8, 8/5, 15/8, 11/10, 9/7, 3/2. | 99/98, 121/120, 176/175 | 3 Medium-high | 270-273c |
| Ennealimmal | Ennealimmal | 2.3.5.7 | enneaploid dicot | 27, 45 | enneawood | Divides the octave into nine equal parts representing 27/25 and half of 7/6. | 2401/2400, 4375/4374 | 1 Very high | 44-53c | |
| 8 | Nusecond | Nusecond | 2.3.5.7.11 | 31, 70 | onyx, pine | Generator is a neutral second, but places primes at high complexity, preferring ratios between them. | 126/125, 2430/2401 | 4 Medium | 154-155c |
No-threes families
| Form | Family | Name | Subgroup | Ploidacot | ETs | Usual Scale Type | Description | Commas | Generator size | |
|---|---|---|---|---|---|---|---|---|---|---|
| 7 | Mabilic | Mabilic | 2.5.7 | alpha-triseph[a] | 7, 9 | antidiatonic, armotonic, 9L 7s | Basic antidiatonic temperament with no 3. | mabilisma | 4 Medium | 668-680c |
| Trismegistus | 2.3.5.7 | alpha-triseph | 16, 25 | antidiatonic, armotonic, 9L 7s | High-accuracy but high complexity extension of prime 3. | gamelisma, magisma | 4 Medium | 672-675c | ||
| Semabila | 2.3.5.7 | alpha-triseph | 9, 25 | antidiatonic, armotonic, 9L 7s | Combination of Mabilic and Semaphore. | 49/48, 28672/28125 | 6 Low | 668-672c | ||
| Mavila | 2.3.5.7 | monocot | 7, 9 | antidiatonic, armotonic, 7L 9s | Exotemperament serving as an antidiatonic analog of meantone. | 36/35, 135/128 | 7 Very low | 675-680c | ||
| 11 | Orgonismic | Orgone, Orgonic | 2.7.11 | trimech[b] | 15, 26 | 4L7s | A high-accuracy rank-2 temperament generated by a tempered 77/64. | 65536/65219 | 3 Medium-high | 320-325c |
| 6 | Hemimean | Didacus | 2.5.7 | diseph | 6, 25 | 1L 5s, 6L 1s | Every other step of septimal meantone. | 3136/3125 | 2 High | 192-196c |
Non-octave families
| Form | Family | Name | Subgroup | Ploidacot | ETs | Usual Scale Type | Description | Commas | Accuracy | Generator size |
|---|---|---|---|---|---|---|---|---|---|---|
| b13 | Sensamagic | Sensamagic | 3.5.7 | monogem[c] | b4, b9[d] | lambda | Basic tritave temperament that stacks 9/7 twice to reach 5/3. Generates the lambda (4L5s⟨3/1⟩) MOS scale, or can be used with octaves as Sensamagic.2. | 245/243 | 3 Medium-high | 435-440c |
| 8 | Sensi | 2.3.5.7.13 | beta-heptacot | 19, 27 | 3L 2s, checkertonic | Very sharp extension of Sensamagic, which finds the octave at 125/63. | 91/90, 126/125, 169/168 | 4 Medium | 440-445c |
[a] seph = divisions of 5/4
[b] mech = divisions of 7/4
[c] gem = divisions of 7/3 in a perfect twelfth (tritave) equivalent context
[d] A "b" prefixed to an equal temperament indicates the equal division of 3/1.
Rank-3
| Name | Commas | Subgroup | ETs | Description | Generators |
|---|---|---|---|---|---|
| Marvel | 225/224, 385/384 | 2.3.5.7.11 | 19, 22, 31 | 16/15 and 15/14 are equated, or equivalently 32/25 and 9/7 are equated. | ~3/2, ~81/80 |
| Hemifamity / Aberschismic | 5120/5103 | 2.3.5.7 | 41, 46, 53 | 81/80 and 64/63 are equated. Sometimes used in aberrismic theory to interpret ternary scales as 2.3.5.7, and associated with argent tuning. | ~3/2, ~81/80 |
| Parapyth(ic) | 352/351, 896/891 | 2.3.7.11.13 | 41, 46, 63 | Based on Margo Schulter's regular tuning construct called "parapyth". | ~3/2, ~28/27 |
