Oneirotonic: Difference between revisions

From Xenharmonic Reference
mNo edit summary
let's use KISS notation
Line 5: Line 5:
The basic idea of oneirotonic is sharpening the fifth beyond 5edo: the fifth becomes so sharp that two of them make a subminor/flat minor third and one more note is required to form a MOS.
The basic idea of oneirotonic is sharpening the fifth beyond 5edo: the fifth becomes so sharp that two of them make a subminor/flat minor third and one more note is required to form a MOS.
== Notation ==
== Notation ==
This article uses ground's oneirotonic notation, which preserves the diatonic order of letter names when stacking fourths (with one extra nominal): BEADGCFX. Chroma up is denoted #, chroma down as b. The all-natural Celephaisian mode is ACBDFEGXA.
This article uses KISS notation, where the Celephaisian mode is 123456781. Chroma up is denoted #, chroma down as b. Alternatively, there is ground's oneirotonic notation, which preserves the diatonic order of letter names when stacking fourths (with one extra nominal): BEADGCFX, again with the Celephaisian mode as ACBDFEGXA. Note that C and B are swapped, and F and E are also swapped.


== Structural theory ==
== Structural theory ==
Line 82: Line 82:
|}
|}
=== Modes of altered oneirotonic ===
=== Modes of altered oneirotonic ===
The ''altered oneirotonic'' scale has a compressed tritone LLL and recreates that characteristic of diatonic. The mode names of altered oneirotonic are portmanteaux of the oneirotonic mode and the diatonic mode the mode sounds most similar to.
The ''altered oneirotonic'' scale has a compressed tritone LLL and recreates that characteristic of diatonic. The mode names of altered oneirotonic are portmanteaus of the oneirotonic mode and the diatonic mode the mode sounds most similar to.
{| class="wikitable"
{| class="wikitable"
|-
|-

Revision as of 02:34, 12 January 2026

This is a problematic page or section. It lacks sufficient justification, content, or organization, and is subject to future overhaul or deletion.

Oneirotonic is the 5L3s MOS pattern LLsLLsLs. Its generator ranges from equalized 3\8 (450c) to collapsed 2\5 (480c) and the generator's basic tuning (L/s = 2/1) is 5\13. It is notable for being a compressed diatonic with one extra small step.

The basic idea of oneirotonic is sharpening the fifth beyond 5edo: the fifth becomes so sharp that two of them make a subminor/flat minor third and one more note is required to form a MOS.

Notation

This article uses KISS notation, where the Celephaisian mode is 123456781. Chroma up is denoted #, chroma down as b. Alternatively, there is ground's oneirotonic notation, which preserves the diatonic order of letter names when stacking fourths (with one extra nominal): BEADGCFX, again with the Celephaisian mode as ACBDFEGXA. Note that C and B are swapped, and F and E are also swapped.

Structural theory

Modes

Mode name Pattern 1-step 2-step 3-step 4-step 5-step 6-step 7-step
Sarnathian sLsLLsLL m m d m P m m
Hlanithian sLLsLsLL m m P m P m m
Kadathian sLLsLLsL m m P m P M m
Mnarian LsLsLLsL M m P m P M m
Ultharian LsLLsLsL M m P M P M m
Celephaisian LsLLsLLs M m P M P M M
Ilarnekian LLsLsLLs M M P M P M M
Dylathian LLsLLsLs M M P M A M M

Modes of altered oneirotonic

The altered oneirotonic scale has a compressed tritone LLL and recreates that characteristic of diatonic. The mode names of altered oneirotonic are portmanteaus of the oneirotonic mode and the diatonic mode the mode sounds most similar to.

Mode name Pattern 1-step 2-step 3-step 4-step 5-step 6-step 7-step
Sarlocrian sLsLsLLL m m d m d m m
Sardorian sLLsLsLL m m d m P M m
Mnaeolian LsLsLsLL M m P m P m m
Mnionian LsLsLLLs M m P m P M M
Ulphrygian LsLLsLsL m m P M P M m
Celdorian LsLLLsLs M m P M A M M
Ilarmixian LLsLsLsL M M P M P M m
Dylydian LLLsLsLs M M A M A M M

Notable tunings and tuning ranges

  • 37edo (hardness 5/4) to 29edo (hardness 4/3): support the 2.7/5.11/5.13/5 temperament Tridec/Ammonite where the generator is 13/10, the large step is 11/10, and the minor 4-step is 7/5.
  • 21edo (hardness 3/2)
  • 13edo (hardness 2/1)
  • 18edo (hardness 3/1): Minor 2-step is an excellent 7/6
  • 23edo (hardness 4/1)
  • 28edo (hardness 5/1) and harder support 2.3.7 Buzzard which equates four perfect 3-oneirosteps with a 3/1.