24edo: Difference between revisions

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==== JI approximation ====
==== JI approximation ====
Although 24edo inherits its approximations of the 5-limit from 12edo, it doesn't allow one to stack more than one instance of 5/4 without excessive error accumulation.  Furthermore, despite having a more accurate 7/4 than 12edo in terms of absolute error, the 7th harmonic s
Although 24edo inherits its approximations of the 5-limit from 12edo, it doesn't allow one to stack more than one instance of 5/4 without excessive error accumulation.  Furthermore, despite having a more accurate 7/4 than 12edo in terms of absolute error, the 7th harmonic suffers from the same problem, as well as worse problems.
{{Harmonics in ED|24|31|0}}
{{Harmonics in ED|24|31|0}}



Revision as of 17:47, 25 December 2025

24edo, or 24 equal divisions of the octave, is the equal tuning featuring steps of (1200/24) = 50 cents, 24 of which stack to the perfect octave 2/1. It is arguably one of the most common entry points into microtonality due to containing the familiar pitches of 12edo.

Theory

24edo is rather underappreciated due to its history of being used in atonal music.

JI approximation

Although 24edo inherits its approximations of the 5-limit from 12edo, it doesn't allow one to stack more than one instance of 5/4 without excessive error accumulation. Furthermore, despite having a more accurate 7/4 than 12edo in terms of absolute error, the 7th harmonic suffers from the same problem, as well as worse problems.

Approximation of prime harmonics in 24edo
Harmonic 2 3 5 7 11 13 17 19 23 29 31
Error Absolute (¢) 0.0 -2.0 +13.7 -18.8 -1.3 +9.5 -5.0 +2.5 +21.7 +20.4 +5.0
Relative (%) 0.0 -3.9 +27.4 -37.7 -2.6 +18.9 -9.9 +5.0 +43.5 +40.8 +9.9
Steps

(reduced)

24

(0)

38

(14)

56

(8)

67

(19)

83

(11)

89

(17)

98

(2)

102

(6)

109

(13)

117

(21)

119

(23)

Chords

Because it contains 12edo 5/4, ubsets, 24edo has the capacity for all the same types of chords as those edos. As if that weren't enough, careful use of a set of rules known as the dinner party rules helps to add more viable chords to the list- every chord must be comprised of a chain of friends in which each note is a "friend" to every other note, no note can have an "enemy", and, there must not be any crowding except in tension chords.

Examples of friends in this system are a major third, a minor third, a neutral third, an inframinor third, an ultramajor second, and, of course, the perfect fourth and perfect fifth. Examples of enemies are an ultraprime, an inframinor second, an infraoctave, and an ultramajor seventh. The most notable "frenemies"- that is, intervals that act as both "friends" and "enemies" at the same time- are a tritone, as well as a minor second, a major seventh, an ultramajor third, an inframinor sixth, a neutral fourth and a neutral fifth. Crowding in this system is caused by intervals smaller than or equal to a major second relative to the unison or octave.