Trackdye: Difference between revisions
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** Approximates a roughly basic tuning of diatonic, but warped to access pental and septal intervals in either direction}} | ** Approximates a roughly basic tuning of diatonic, but warped to access pental and septal intervals in either direction}} | ||
{| class="wikitable" | {| class="wikitable" | ||
|+Selected Tunings of Tract-Aberrated | |+Selected Tunings of Tract-Aberrated Aeolian | ||
| colspan="5" |Pental | | colspan="5" |Pental | ||
| colspan="2" rowspan="2" |Compromise | | colspan="2" rowspan="2" |Compromise | ||
| colspan=" | | colspan="3" rowspan="2" |Straddle-3 | ||
|- | |- | ||
| colspan="2" |2.3.5 JI | | colspan="2" |2.3.5 JI | ||
| colspan="3" |Hemififth-Based | | colspan="3" |Sharp Hemififth-Based | ||
|- | |- | ||
!Ratio | !Ratio | ||
!Cents | !Cents | ||
!27P<br>(3:2:1) | !27P<br>(3:2:1) | ||
!27P+34P = 61P | !27P+34P =<br>61P (7:5:2) | ||
!34P<br>(4:3:1) | !34P<br>(4:3:1) | ||
!61P+37cc = 98bcc | !61P+37cc =<br>98bcc (12:7:3) | ||
!39P<br>(5:3:1) | !39P<br>(5:3:1) | ||
!37cc<br>(5:2:1) | !37cc<br>(5:2:1) | ||
!67bcccc<br>(9:3:2) | !67bcccc<br>(9:3:2) | ||
!61cc<br>(9:4:1) | |||
|- | |- | ||
|81/80 | |81/80 | ||
|21. | |21.5 | ||
|44. | |44.4 | ||
|39. | |39.3 | ||
|35. | |35.3 | ||
|36. | |36.7 | ||
|30. | |30.8 | ||
|32. | |32.4 | ||
|35. | |35.8 | ||
|19.7 | |||
|- | |- | ||
|10/9 | |10/9 | ||
|182. | |182.4 | ||
|177. | |177.8 | ||
|177. | |177.0 | ||
|176. | |176.5 | ||
|183. | |183.7 | ||
|184. | |184.6 | ||
|194. | |194.6 | ||
|197. | |197.0 | ||
|196.7 | |||
|- | |- | ||
|9/8 | |9/8 | ||
|203. | |203.9 | ||
|222. | |222.2 | ||
|216. | |216.4 | ||
|211. | |211.8 | ||
|220. | |220.4 | ||
|215. | |215.4 | ||
|227. | |227.0 | ||
|232. | |232.8 | ||
|216.4 | |||
|- | |- | ||
|6/5 | |6/5 | ||
|315. | |315.6 | ||
|311. | |311.1 | ||
|314. | |314.8 | ||
|317. | |317.6 | ||
|306. | |306.1 | ||
|307. | |307.7 | ||
|291. | |291.9 | ||
|286. | |286.6 | ||
|295.1 | |||
|- | |- | ||
|243/200 | |243/200 | ||
|337. | |337.1 | ||
|355. | |355.6 | ||
|354. | |354.1 | ||
|352. | |352.9 | ||
|342. | |342.9 | ||
|338. | |338.5 | ||
|324. | |324.3 | ||
|322. | |322.4 | ||
|314.8 | |||
|- | |- | ||
|4/3 | |4/3 | ||
|498. | |498.0 | ||
|488. | |488.9 | ||
|491. | |491.8 | ||
|494. | |494.1 | ||
|489. | |489.8 | ||
|492. | |492.3 | ||
|486. | |486.5 | ||
|483. | |483.6 | ||
|491.8 | |||
|- | |- | ||
|27/20 | |27/20 | ||
|519. | |519.6 | ||
|533. | |533.3 | ||
|531. | |531.1 | ||
|529. | |529.4 | ||
|526. | |526.5 | ||
|523. | |523.1 | ||
|518. | |518.9 | ||
|519. | |519.4 | ||
|511.5 | |||
|- | |- | ||
|40/27 | |40/27 | ||
|680. | |680.4 | ||
|666. | |666.7 | ||
|668. | |668.9 | ||
|670. | |670.6 | ||
|673. | |673.5 | ||
|676. | |676.9 | ||
|681. | |681.1 | ||
|680. | |680.6 | ||
|688.5 | |||
|- | |- | ||
|3/2 | |3/2 | ||
| | |702.0 | ||
|711. | |711.1 | ||
|708. | |708.2 | ||
|705. | |705.9 | ||
|710. | |710.2 | ||
|707. | |707.7 | ||
|713. | |713.5 | ||
|716. | |716.4 | ||
|708.2 | |||
|- | |- | ||
| | |8/5 | ||
| | |813.7 | ||
| | |800.0 | ||
| | |806.6 | ||
| | |811.8 | ||
| | |795.9 | ||
| | |800.0 | ||
| | |778.4 | ||
| | |770.1 | ||
|786.9 | |||
|- | |- | ||
| | |81/50 | ||
| | |835.2 | ||
| | |844.4 | ||
| | |845.9 | ||
| | |847.1 | ||
| | |832.7 | ||
| | |830.8 | ||
| | |810.8 | ||
| | |806.0 | ||
|806.6 | |||
|- | |- | ||
|16/9 | |16/9 | ||
|996. | |996.1 | ||
|977. | |977.8 | ||
|983. | |983.6 | ||
|988. | |988.2 | ||
|979. | |979.6 | ||
|984. | |984.6 | ||
| | |973.0 | ||
|967. | |967.2 | ||
|983.6 | |||
|- | |- | ||
|9/5 | |9/5 | ||
|1017. | |1017.6 | ||
|1022. | |1022.2 | ||
| | |1023.0 | ||
|1023. | |1023.5 | ||
|1016. | |1016.3 | ||
|1015. | |1015.4 | ||
|1005. | |1005.4 | ||
| | |1003.0 | ||
|1003.3 | |||
|- | |- | ||
|160/81 | |160/81 | ||
|1178. | |1178.5 | ||
|1155. | |1155.6 | ||
|1160. | |1160.7 | ||
|1164. | |1164.7 | ||
|1163. | |1163.3 | ||
|1169. | |1169.2 | ||
|1167. | |1167.6 | ||
|1164. | |1164.2 | ||
|1180.3 | |||
|- | |- | ||
|2/1 | |2/1 | ||
|1200 | |1200.0 | ||
|1200 | |1200.0 | ||
|1200 | |1200.0 | ||
|1200 | |1200.0 | ||
|1200 | |1200.0 | ||
|1200 | |1200.0 | ||
|1200 | |1200.0 | ||
|1200 | |1200.0 | ||
|1200.0 | |||
|} | |} | ||
The sharp fifth is the generator in generator-offset notation. Edo tunings 27, 34, 37, and 67 all feature a significant number of intervals that split it in half, and all of these edos are 10n+7 except for 34 which is 10+7*2. These imply a very sharp and sharp diatonic fifth respectively. Splitting that into a sharp hemififth is useful for two reasons: | The sharp fifth is the generator in generator-offset notation. Edo tunings 27, 34, 37, and 67 all feature a significant number of intervals that split it in half, and all of these edos are 10n+7 except for 34 which is 10+7*2. These imply a very sharp and sharp diatonic fifth respectively. Splitting that into a sharp hemififth is useful for two reasons: | ||
| Line 258: | Line 274: | ||
* As a generator, 2 of them makes the sharp fifth but -3 usually makes the supraminor second. | * As a generator, 2 of them makes the sharp fifth but -3 usually makes the supraminor second. | ||
Which supraminor second is generated this way varies with tuning category: | Which supraminor second is generated this way varies with tuning category: | ||
* ms: p -3g/2 = (3p -5g +a) + a | * ms: p -3g/2 = (3p -5g +a) + a ⇒ -4p +7g -4a = 0 | ||
* sms: p -3g/2 = (3p -5g +a) + 2a | * sms: p -3g/2 = (3p -5g +a) + 2a ⇒ -4p +7g -6a = 0 | ||
=== Range definitions === | |||
The simplest way to define the two ranges is: | |||
* Pental (including JI): sLsLs ≈ 5/4 | |||
* Straddle-3: sLsL ≈ 5/4 | |||
It may be useful to compare the two side-by-side in one tuning. Equating the representations of 5/4 with ''a'' as the pental aberrisma and ''b'' as the straddle-3 aberrisma: | |||
2(-p +2g -2a) + 3a = 2(-p +2g -2b) + 2b ⇒ a = 2b | |||
The first edo to do this while keeping L≠m≠s is 42 with 4:3:2 and 6:2:1, which are similar enough to 27edo (3:2:1 Augmented) and 37edo (5:2:1 Ultrapyth), although not ideal. 61edo offers 7:5:2 and 9:4:1, which is better. | |||
=== Equivalent intervals === | === Equivalent intervals === | ||
| Line 273: | Line 299: | ||
For example, trackdye features two intervals that are usually tuned close to a supraminor third: LsL and either slsm or sLsms. They can be expressed with equations for generator-offset notation: | For example, trackdye features two intervals that are usually tuned close to a supraminor third: LsL and either slsm or sLsms. They can be expressed with equations for generator-offset notation: | ||
* LsL: 2(-p +2g -2a) + a | * LsL: 2(-p +2g -2a) + a ⇒ -2p +4g -3a | ||
* sLsms: (-p +2g -2a) + (3p -5g +a) + 3a | * sLsms: (-p +2g -2a) + (3p -5g +a) + 3a ⇒ 2p -3g +2a | ||
Equating the above supraminor thirds with units of cents gives -2p +4g -3a = 2p -3g +2a when p = 1200¢, simplifying to -4800¢ +7g -5a = 0, so the diatonic augmented unison is equal to 5 aberrismas. The line goes from 0¢, 4\7 to 48¢, 3\5. | Equating the above supraminor thirds with units of cents gives -2p +4g -3a = 2p -3g +2a when p = 1200¢, simplifying to -4800¢ +7g -5a = 0, so the diatonic augmented unison is equal to 5 aberrismas. The line goes from 0¢, 4\7 to 48¢, 3\5. | ||
Revision as of 01:00, 11 November 2026
Trackdye, short for "tract-aberracted diatonic", is a term for the seven aberrismic ternary scales of MOS substitution type 8s(5L2m), which may be constructed by compressing a diatonic scale and duplicating it offset by the amount it was compressed by. It is a superset of blackdye and pinedye, which makes it useful as both a versatile tempered 5-limit scale and a straddle-3 scale depending on the tuning. It may be abbreviated to dia8s or just 8s.
Its steps may be expressed in generator-offset notation, with p as the octave period, g as the perfect fifth generator, and a as the aberrismic offset. As in most aberrismic scales, the offset is the smallest step in the scale. The equation for 5L 2m 8s trackdye is 5(-p +2g -2a) + 2(3p -5g +a) + 8a = p.
| Subcondition | MOS | Gen Range | Name |
|---|---|---|---|
| L=m | 7L 8s | 2\15 - 1\7 | Porcupine |
| m=s | 5L 10s | 0\5 - 1\15 | Hard Blackwood |
| s=0 | 5L 2s | 2\5 - 3\7 | Diatonic |
This shows that trackdye tunings tend to have a sharp diatonic fifth.
Step orders

| Diatonic Mode | Tract-Aberrated | 2.3.5 JI | |
|---|---|---|---|
| Lydian | LLLsLLs | sLsLsLsMsLsLsMs | 81/80 10/9 9/8 100/81 5/4 1000/729 25/18 40/27 3/2 400/243 5/3 4000/2187 50/27 160/81 2/1 |
| Ionian | LLsLLLs | sLsLsMsLsLsLsMs | 81/80 10/9 9/8 100/81 5/4 4/3 27/20 40/27 3/2 400/243 5/3 4000/2187 50/27 160/81 2/1 |
| Mixolydian (8s R) | LLsLLsL | sLsLsMsLsLsMsLs | 81/80 10/9 9/8 100/81 5/4 4/3 27/20 40/27 3/2 400/243 5/3 16/9 9/5 160/81 2/1 |
| Dorian | LsLLLsL | sLsMsLsLsLsMsLs | 81/80 10/9 9/8 6/5 243/200 4/3 27/20 40/27 3/2 400/243 5/3 16/9 9/5 160/81 2/1 |
| Aeolian (8s L) | LsLLsLL | sLsMsLsLsMsLsLs | 81/80 10/9 9/8 6/5 243/200 4/3 27/20 40/27 3/2 8/5 81/50 16/9 9/5 160/81 2/1 |
| Phrygian | sLLLsLL | sMsLsLsLsMsLsLs | 81/80 27/25 2187/2000 6/5 243/200 4/3 27/20 40/27 3/2 8/5 81/50 16/9 9/5 160/81 2/1 |
| Locrian | sLLsLLL | sMsLsLsMsLsLsLs | 81/80 27/25 2187/2000 6/5 243/200 4/3 27/20 36/25 729/500 8/5 81/50 16/9 9/5 160/81 2/1 |
Each of these forms has its own set of 15 modes. The modes given in this table are all the only one with s as the first and last step, which is the standard form for tract-aberrated scales. M is capitalized for visual distinction.
Tract-aberrated Aeolian and Mixolydian are special because they are the only forms to contain blackdye as a subset, and to have four chains of perfect fifth generators rather than 5. They are assigned to the L and R aberrismic chirality abbreviations.
There are also four step orders that are MOS if m=s and if s=0: sLsmLssLssLsmLs, sLsmLssLssLmsLs, sLmsLssLssLsmLs, and sLmsLssLssLmsLs, shown with ssLss in the middle. They are not named nor discussed in this article. There is no step order that satisfies all three monotone-MOS subconditions.
Tuning range
- Pental
- ~2.3.5.(7.11.13.17.19)
- Pental intervals are one aberrisma from diatonic
- A superset of pental blackdye/pinedye which functions predictably
- Straddle-3
- ~2.<<3.>3.5.7.11.13.(17.19)
- Pental intervals are two aberrismas from diatonic
- Approximates a roughly basic tuning of diatonic, but warped to access pental and septal intervals in either direction
| Pental | Compromise | Straddle-3 | |||||||
| 2.3.5 JI | Sharp Hemififth-Based | ||||||||
| Ratio | Cents | 27P (3:2:1) |
27P+34P = 61P (7:5:2) |
34P (4:3:1) |
61P+37cc = 98bcc (12:7:3) |
39P (5:3:1) |
37cc (5:2:1) |
67bcccc (9:3:2) |
61cc (9:4:1) |
|---|---|---|---|---|---|---|---|---|---|
| 81/80 | 21.5 | 44.4 | 39.3 | 35.3 | 36.7 | 30.8 | 32.4 | 35.8 | 19.7 |
| 10/9 | 182.4 | 177.8 | 177.0 | 176.5 | 183.7 | 184.6 | 194.6 | 197.0 | 196.7 |
| 9/8 | 203.9 | 222.2 | 216.4 | 211.8 | 220.4 | 215.4 | 227.0 | 232.8 | 216.4 |
| 6/5 | 315.6 | 311.1 | 314.8 | 317.6 | 306.1 | 307.7 | 291.9 | 286.6 | 295.1 |
| 243/200 | 337.1 | 355.6 | 354.1 | 352.9 | 342.9 | 338.5 | 324.3 | 322.4 | 314.8 |
| 4/3 | 498.0 | 488.9 | 491.8 | 494.1 | 489.8 | 492.3 | 486.5 | 483.6 | 491.8 |
| 27/20 | 519.6 | 533.3 | 531.1 | 529.4 | 526.5 | 523.1 | 518.9 | 519.4 | 511.5 |
| 40/27 | 680.4 | 666.7 | 668.9 | 670.6 | 673.5 | 676.9 | 681.1 | 680.6 | 688.5 |
| 3/2 | 702.0 | 711.1 | 708.2 | 705.9 | 710.2 | 707.7 | 713.5 | 716.4 | 708.2 |
| 8/5 | 813.7 | 800.0 | 806.6 | 811.8 | 795.9 | 800.0 | 778.4 | 770.1 | 786.9 |
| 81/50 | 835.2 | 844.4 | 845.9 | 847.1 | 832.7 | 830.8 | 810.8 | 806.0 | 806.6 |
| 16/9 | 996.1 | 977.8 | 983.6 | 988.2 | 979.6 | 984.6 | 973.0 | 967.2 | 983.6 |
| 9/5 | 1017.6 | 1022.2 | 1023.0 | 1023.5 | 1016.3 | 1015.4 | 1005.4 | 1003.0 | 1003.3 |
| 160/81 | 1178.5 | 1155.6 | 1160.7 | 1164.7 | 1163.3 | 1169.2 | 1167.6 | 1164.2 | 1180.3 |
| 2/1 | 1200.0 | 1200.0 | 1200.0 | 1200.0 | 1200.0 | 1200.0 | 1200.0 | 1200.0 | 1200.0 |
The sharp fifth is the generator in generator-offset notation. Edo tunings 27, 34, 37, and 67 all feature a significant number of intervals that split it in half, and all of these edos are 10n+7 except for 34 which is 10+7*2. These imply a very sharp and sharp diatonic fifth respectively. Splitting that into a sharp hemififth is useful for two reasons:
- It fills the space between 6/5 and 5/4 with as few distinct intervals as possible, allowing for smaller edos.
- As a generator, 2 of them makes the sharp fifth but -3 usually makes the supraminor second.
Which supraminor second is generated this way varies with tuning category:
- ms: p -3g/2 = (3p -5g +a) + a ⇒ -4p +7g -4a = 0
- sms: p -3g/2 = (3p -5g +a) + 2a ⇒ -4p +7g -6a = 0
Range definitions
The simplest way to define the two ranges is:
- Pental (including JI): sLsLs ≈ 5/4
- Straddle-3: sLsL ≈ 5/4
It may be useful to compare the two side-by-side in one tuning. Equating the representations of 5/4 with a as the pental aberrisma and b as the straddle-3 aberrisma:
2(-p +2g -2a) + 3a = 2(-p +2g -2b) + 2b ⇒ a = 2b
The first edo to do this while keeping L≠m≠s is 42 with 4:3:2 and 6:2:1, which are similar enough to 27edo (3:2:1 Augmented) and 37edo (5:2:1 Ultrapyth), although not ideal. 61edo offers 7:5:2 and 9:4:1, which is better.
Equivalent intervals
The simplest common equivalences that lead to thirds being equated are:
- m = ss (3:2:1, 5:2:1)
- Subminor thirds Lsm = sLss
- L = ms (3:2:1, 4:3:1)
- Minor thirds LsL = sLsm
- L = sms (5:3:1)
- Supraminor thirds LsL = sLsms
- L = smss (5:2:1)
- This one occurs less often directly because there has to be an m step adjacent to the only ss interval.
For example, trackdye features two intervals that are usually tuned close to a supraminor third: LsL and either slsm or sLsms. They can be expressed with equations for generator-offset notation:
- LsL: 2(-p +2g -2a) + a ⇒ -2p +4g -3a
- sLsms: (-p +2g -2a) + (3p -5g +a) + 3a ⇒ 2p -3g +2a
Equating the above supraminor thirds with units of cents gives -2p +4g -3a = 2p -3g +2a when p = 1200¢, simplifying to -4800¢ +7g -5a = 0, so the diatonic augmented unison is equal to 5 aberrismas. The line goes from 0¢, 4\7 to 48¢, 3\5.
Doing the same with LsL and sLsm gives -4p +7g -4a = 0, the same equation as the tunings with a sharp hemififth.
Intervals
| On↓ #→ | Next Step | 0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 0 | s | 0 | 37 | 184 | 220 | 306 | 343 | 490 | 527 | 674 | 710 | 857 | 894 | 980 | 1016 | 1163 | 1200 |
| 37 | L | 0 | 147 | 184 | 269 | 306 | 453 | 490 | 637 | 674 | 820 | 857 | 943 | 980 | 1127 | 1163 | 1200 |
| 184 | s | 0 | 37 | 122 | 159 | 306 | 343 | 490 | 527 | 674 | 710 | 796 | 833 | 980 | 1016 | 1053 | 1200 |
| 220 | m | 0 | 86 | 122 | 269 | 306 | 453 | 490 | 637 | 674 | 759 | 796 | 943 | 980 | 1016 | 1163 | 1200 |
| 306 | s | 0 | 37 | 184 | 220 | 367 | 404 | 551 | 588 | 674 | 710 | 857 | 894 | 931 | 1078 | 1114 | 1200 |
| 343 | L | 0 | 147 | 184 | 331 | 367 | 514 | 551 | 637 | 674 | 820 | 857 | 894 | 1041 | 1078 | 1163 | 1200 |
| 490 | s | 0 | 37 | 184 | 220 | 367 | 404 | 490 | 527 | 674 | 710 | 747 | 894 | 931 | 1016 | 1053 | 1200 |
| 527 | L | 0 | 147 | 184 | 331 | 367 | 453 | 490 | 637 | 674 | 710 | 857 | 894 | 980 | 1016 | 1163 | 1200 |
| 674 | s | 0 | 37 | 184 | 220 | 306 | 343 | 490 | 527 | 563 | 710 | 747 | 833 | 869 | 1016 | 1053 | 1200 |
| 710 | L | 0 | 147 | 184 | 269 | 306 | 453 | 490 | 527 | 674 | 710 | 796 | 833 | 980 | 1016 | 1163 | 1200 |
| 857 | s | 0 | 37 | 122 | 159 | 306 | 343 | 380 | 527 | 563 | 649 | 686 | 833 | 869 | 1016 | 1053 | 1200 |
| 894 | m | 0 | 86 | 122 | 269 | 306 | 343 | 490 | 527 | 612 | 649 | 796 | 833 | 980 | 1016 | 1163 | 1200 |
| 980 | s | 0 | 37 | 184 | 220 | 257 | 404 | 441 | 527 | 563 | 710 | 747 | 894 | 931 | 1078 | 1114 | 1200 |
| 1016 | L | 0 | 147 | 184 | 220 | 367 | 404 | 490 | 527 | 674 | 710 | 857 | 894 | 1041 | 1078 | 1163 | 1200 |
| 1163 | s | 0 | 37 | 74 | 220 | 257 | 343 | 380 | 527 | 563 | 710 | 747 | 894 | 931 | 1016 | 1053 | 1200 |
98bcc was selected because it's approximately the average of the tunings in the tuning range table, and does not equate the two types of near-supraminor third.
