9edo: Difference between revisions
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'''9edo''', or 9 equal divisions of the octave (sometimes called '''9-TET''' or '''9-tone equal temperament'''), is the [[Equal temperament|equal tuning]] featuring steps of (1200/9) = 133.333… [[Cent|cents]] exactly, 9 of which stack to the perfect octave [[2/1]]. | '''9edo''', or 9 equal divisions of the octave (sometimes called '''9-TET''' or '''9-tone equal temperament'''), is the [[Equal temperament|equal tuning]] featuring steps of (1200/9) = 133.333… [[Cent|cents]] exactly, 9 of which stack to the perfect octave [[2/1]]. | ||
[ | 9edo is probably best known for its very flat, muddy-sounding [[fifth]] interval and [[antidiatonic]] (2L 5s) scale, a version of the diatonic scale with inverted harmonic properties (such as major and minor intervals being flipped) when you use the circle of fifths. It does not represent small [[harmonic series|harmonics]] that well, but it has extremely accurate renditions of the just intonation intervals [[27/25]] and [[7/6]], which forms the basis of an ultra-precise [[regular temperament]] called [[ennealimmal]]. | ||
== General theory == | == General theory == | ||
Revision as of 04:56, 24 July 2026
UNDER CONSTRUCTION
9edo, or 9 equal divisions of the octave (sometimes called 9-TET or 9-tone equal temperament), is the equal tuning featuring steps of (1200/9) = 133.333… cents exactly, 9 of which stack to the perfect octave 2/1.
9edo is probably best known for its very flat, muddy-sounding fifth interval and antidiatonic (2L 5s) scale, a version of the diatonic scale with inverted harmonic properties (such as major and minor intervals being flipped) when you use the circle of fifths. It does not represent small harmonics that well, but it has extremely accurate renditions of the just intonation intervals 27/25 and 7/6, which forms the basis of an ultra-precise regular temperament called ennealimmal.
General theory
Derivation
[Derivation by equal division of various key intervals or of interval qualities]
JI approximation
[Overview of viable vals, tuning tendencies, and accurate/structurally interesting subgroups. Always cover the patent val alongside any notable non-patent vals.]
| Harmonic | 2 | 3 | 5 | 7 | 11 | 13 | 17 | 19 | 23 | 29 | 31 | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Error | Absolute (¢) | 0.0 | -35.3 | +13.7 | -35.5 | -18.0 | -40.5 | +28.4 | -30.8 | +38.4 | +37.1 | +55.0 |
| Relative (%) | 0.0 | -26.5 | +10.3 | -26.6 | -13.5 | -30.4 | +21.3 | -23.1 | +28.8 | +27.8 | +41.2 | |
| Steps (reduced) |
9 (0) |
14 (5) |
21 (3) |
25 (7) |
31 (4) |
33 (6) |
37 (1) |
38 (2) |
41 (5) |
44 (8) |
45 (9) | |
Edostep interpretations
[Cover these in a list]
Intervals and notation
| Edostep | Cents | Intervals | Notation | Bame (optional) | ||||||
|---|---|---|---|---|---|---|---|---|---|---|
| Group 1 | Additional groups | Notation 1 (usually ups and downs) | Notation 2 (usually neutral diatonic notation, if different)) | Additional notations | System 1 (usually ADIN) | System 2 (usually ups and downs, if meaningfully different) | System 3 (usually neutral diatonic, if different) | Additional systems | ||
| 0 | XXX | XX/XX | XX/XX | D | D | J | ... | ... | ... | ... |
| ... | ... | ... | ... | ... | ... | ... | ||||
[Add solfege in a separate table, if applicable]
Tempering properties
Tempered commas
[List commas with S-expressions and examples of what they equate]
Arithmetic progressions
Notable structural chains
[Generator chains]
Compositional theory
Tertian structure
[Describe]
| Quality (ADIN) | Mosdiatonic Quality | Quality |
|---|---|---|
| Cents | XXX | XXX |
| Just interpretation | X/X | X/X |
| Steps | X | X |
Diatonic thirds are bolded.
Scales
[if edo is composite, link to subset edos and discuss scales of subset edos there]
[List scales and scale descriptions including structure (generators if applicable), notable intervals available, associated temperaments, relationships to other scales, and logic for derivation.]
[Explain more complex scale theory topics here]
Tables of scales
Harmony
[explain notable JI and DR chords. TRY TO PROVIDE COHERENT CHORD SYSTEMS RATHER THAN JUST LISTING RANDOM CHORDS WITH NO RELATION. Explain tunings of familiar chords]
[Explain systems of harmony here, this is how you put the chords together to make music]
[Sections such as "functional harmony", "modal harmony", etc - varies based on the edo and the personal composition style]
[Use individual voices maybe?]
Tables of chords
Instruments
[Put instruments and isomorphic layouts here]
