21edo: Difference between revisions

From Xenharmonic Reference
switched to ADIN for interval regions, feel free to revert if you don't like it
Line 16: Line 16:
|+
|+
! | Edostep !! | Cents !! | Notation (Ups and downs) !! | Interval name (ups/downs)
! | Edostep !! | Cents !! | Notation (Ups and downs) !! | Interval name (ups/downs)
!Interval region
!Interval region (ADIN)
|-
|-
|0
|0
Line 28: Line 28:
|^C
|^C
|Up unison
|Up unison
|Diesis
|Farmajor unison
|-
|-
|2
|2
Line 34: Line 34:
|vD
|vD
|Down second
|Down second
|Minor 2nd
|Farminor second
|-
|-
|3
|3
Line 40: Line 40:
|D
|D
|Perfect second
|Perfect second
|Submajor 2nd
|Neutral second
|-
|-
|4
|4
Line 46: Line 46:
|^D
|^D
|Up second
|Up second
|Supermajor 2nd
|Farmajor second
|-
|-
|5
|5
Line 52: Line 52:
|vE
|vE
|Down third
|Down third
|Minor 3rd
|Farminor third
|-
|-
|6
|6
Line 58: Line 58:
|E
|E
|Perfect third
|Perfect third
|Neutral 3rd
|Neutral third
|-
|-
|7
|7
Line 64: Line 64:
|^E
|^E
|Up third
|Up third
|Major 3rd
|Farmajor third
|-
|-
|8
|8
Line 70: Line 70:
|vF
|vF
|Down fourth
|Down fourth
|Infra4th/Sub4th
|Farminor fourth
|-
|-
|9
|9
Line 76: Line 76:
|F
|F
|Perfect fourth
|Perfect fourth
|Perfect 4th
|Perfect fourth
|-
|-
|10
|10
Line 82: Line 82:
|^F
|^F
|Up fourth
|Up fourth
|Lesser tritone
|Farmajor fourth
|-
|-
|11
|11
Line 88: Line 88:
|vG
|vG
|Down fifth
|Down fifth
|Greater tritone
|Farminor fifth
|-
|-
|12
|12
Line 94: Line 94:
|G
|G
|Perfect fifth
|Perfect fifth
|Perfect 5th
|Perfect fifth
|-
|-
|13
|13
Line 100: Line 100:
|^G
|^G
|Up fifth
|Up fifth
|Ultra5th/Super5th
|Farmajor fifth
|-
|-
|14
|14
Line 106: Line 106:
|vA
|vA
|Down sixth
|Down sixth
|Minor 6th
|Farminor sixth
|-
|-
|15
|15
Line 112: Line 112:
|A
|A
|Perfect sixth
|Perfect sixth
|Neutral 6th
|Neutral sixth
|-
|-
|16
|16
Line 118: Line 118:
|^A
|^A
|Up sixth
|Up sixth
|Major 6th
|Farmajor sixth
|-
|-
|17
|17
Line 124: Line 124:
|vB
|vB
|Down seventh
|Down seventh
|Subminor 7th
|Farminor seventh
|-
|-
|18
|18
Line 130: Line 130:
|B
|B
|Perfect seventh
|Perfect seventh
|Superminor 7th
|Neutral seventh
|-
|-
|19
|19
Line 136: Line 136:
|^B
|^B
|Up seventh
|Up seventh
|Major 7th
|Farmajor seventh
|-
|-
|20
|20
Line 142: Line 142:
|vC
|vC
|Down octave
|Down octave
|Octave - diesis
|Farminor octave
|-
|-
|21
|21

Revision as of 01:06, 14 February 2026

21edo is an equal division of the octave into 21 steps of 1200c/21 ~= 57.1c each.

21edo is unusual from a regular temperament perspective due to its mixture of very accurate (e.g. 23/16, 16/15) and very inaccurate (3/2, 6/5, 7/6) approximations. On the one hand, one could say 21edo has a 5 since its 15/8 is accurate due to error cancellation of the sharp 5 with the flat 3. In root-position major triads, though, the 400c major third sounds much less isodifferential than even in 12edo due to the 3/2 being much flatter, and root-position major and minor triads sound somewhat neogothic as a result and also because of the neominor third; the reverse is true of certain triad inversions, since 0-514-914 is close to being +1+1 DR (approximately 23:31:39).

Notable scales:

  • Archylino diatonic (2L3m2s): 3423432 or 4323432
  • Interseptimal diatonic (4L1m2s): 4143414
  • 21edo is the first edo with a diasem scale: 323132313 (RH) or 313231323 (LH). Diasem provides basic 2.3.7 harmony, though 7/6, 28/27, and 9/7 are not accurate at all in 21edo.
  • Slentonic (5L6s, sLsLsLsLsLs), interpreted as Slendric[11], generated by stacking the ~8/7 (4\21)
  • Oneirotonic (5L3s, LLsLLsLs), generated by stacking 8\21

Basic theory

Intervals and notation

Since 21edo's best fifth is from 7edo, 21edo is notated with CDEFGAB representing 7edo and up/down representing 1\21. This allows all intervals to have a "minor", "neutral/perfect", and "major" variants.

Edostep Cents Notation (Ups and downs) Interval name (ups/downs) Interval region (ADIN)
0 0 C Perfect unison Unison
1 57.1 ^C Up unison Farmajor unison
2 114.3 vD Down second Farminor second
3 171.4 D Perfect second Neutral second
4 228.6 ^D Up second Farmajor second
5 285.7 vE Down third Farminor third
6 342.9 E Perfect third Neutral third
7 400 ^E Up third Farmajor third
8 457.1 vF Down fourth Farminor fourth
9 514.3 F Perfect fourth Perfect fourth
10 571.4 ^F Up fourth Farmajor fourth
11 628.6 vG Down fifth Farminor fifth
12 685.7 G Perfect fifth Perfect fifth
13 742.9 ^G Up fifth Farmajor fifth
14 800 vA Down sixth Farminor sixth
15 857.1 A Perfect sixth Neutral sixth
16 914.3 ^A Up sixth Farmajor sixth
17 971.4 vB Down seventh Farminor seventh
18 1028.6 B Perfect seventh Neutral seventh
19 1085.7 ^B Up seventh Farmajor seventh
20 1142.9 vC Down octave Farminor octave
21 1200 C Octave Octave

Prime harmonic approximations

Approximation of prime harmonics in 21edo
Harmonic 2 3 5 7 11 13 17 19 23 29
Error Absolute (¢) 0.0 -16.2 +13.7 +2.6 +20.1 +16.6 +9.3 -11.8 +0.3 -1.0
Relative (%) 0.0 -28.4 +24.0 +4.6 +35.2 +29.1 +16.3 -20.6 +0.5 -1.8
Steps

(reduced)

21

(0)

33

(12)

49

(7)

59

(17)

73

(10)

78

(15)

86

(2)

89

(5)

95

(11)

102

(18)

Erac group

As a temperament, 21edo may be described using eracs: 2.x>3.x<5.7.x<11.x<13.23.29. These specific eracs indicate that the primes are about 1/3 of an edostep off, and that 63edo is an accurate system.

Edostep interpretations

21edo's edostep has the following interpretations in the 2.3.5.7.23.29 subgroup:

  • 24/23
  • 30/29
  • 29/28
  • 49/48
  • 50/49
  • 46/45
  • 64/63

Multiples

63edo

63edo provides a good representation of 2.3.5.7.11.13.23.29.31.

  • The 3 is somewhat sharp, thus supporting Parapyth temperament, a rank-3 temperament 32/27 is tuned close to 13/11 and 81/64 is tempered together with 14/11, and where the "spacer" 28/27 is identified with 33/32.
  • The 5 is quite flat, thus supporting Magic temperament where the stack of five 5/4 major thirds becomes one 3/1.