User:Inthar: Difference between revisions
From Xenharmonic Reference
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== Todo == | == Todo == | ||
* Try to prove uniqueness of endoparticular extensions | * Try to prove uniqueness of endoparticular extensions | ||
== TAMNAMS poem == | |||
<pre> | |||
my naim is tam | |||
and surname nams | |||
my hardnys skail | |||
it plais no games | |||
from zeroth note | |||
i kaunt en kol | |||
dem all "k-steps" | |||
from big to smol | |||
</pre> | |||
== I Am the Very Model of a Modern Xenharmonicist (parody) == | == I Am the Very Model of a Modern Xenharmonicist (parody) == | ||
Revision as of 19:04, 24 March 2026
Inthar (in-THAR, th as in "thin") is a wiki editor. He's primarily a theorist, not a composer.
Most of his pieces can be found on the Xen Wiki.
Todo
- Try to prove uniqueness of endoparticular extensions
TAMNAMS poem
my naim is tam and surname nams my hardnys skail it plais no games from zeroth note i kaunt en kol dem all "k-steps" from big to smol
I Am the Very Model of a Modern Xenharmonicist (parody)
Todo: 16edo cover
I am the very model of a modern xenharmonicist. With sundry regularly-tempered lattices I can assist. I’ve mastered all of vicesimononal primodality. I can group edos by their temperamental commonalities. I can hum every pitch in my beloved triple Bohlen-Pierce, And I debate harmonic entropy with graphs and trolling fierce. I know the 90edo chords near-just and delta-rational, My xen math papers shine in conferences international. I know all epimoric 47-limit ratios, I can confirm all zeta edo notions ab initio. In short, in matters theory and praxis I need not insist: I am the very model of a modern xenharmonicist. I make primodal chord-scales for establishing tonality. I know the perfect edo for evoking liminality. The optimality of penslen out of all scales ternary Is plain — it also beats most every scale that's merely binary. My dalliance with MOSses only strengthens this conviction mine. I learn an edo's prime approximations to two-sixty-nine. The wonders of concordance shells I savor in my room alone. I play Vavoom and Whoosh and Gross and Pirate on my Lumatone. The derivation of all SV4’s I find perspicuous; That said, my preferences are for scales with buzz conspicuous. In short, in matters theory and praxis I need not insist: I am the very model of a modern xenharmonicist.
