User:Inthar: Difference between revisions
From Xenharmonic Reference
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I make primodal chord-scales for establishing tonality. | I make primodal chord-scales for establishing tonality. | ||
I know the perfect edo for evoking liminality. | I know the perfect edo for evoking liminality. | ||
The optimality of | The optimality of penslen out of all scales ternary | ||
is plain | is plain — it also beats most every scale that's merely binary. | ||
My dalliance with MOSses only strengthens this conviction mine. | My dalliance with MOSses only strengthens this conviction mine. | ||
I learn | I learn an edo's prime approximations to two-sixty-nine. | ||
The wonders of concordance shells I savor in my room alone. | The wonders of concordance shells I savor in my room alone. | ||
I play Vavoom and Whoosh and Gross and Pirate on my Lumatone. | I play Vavoom and Whoosh and Gross and Pirate on my Lumatone. | ||
Revision as of 17:08, 10 February 2026
Inthar (in-THAR, th as in "thin") is a wiki editor. He's primarily a theorist, not a composer.
Most of his pieces can be found on the Xen Wiki.
Todo
- Try to prove uniqueness of endoparticular extensions
I Am the Very Model of a Modern Xenharmonicist (parody)
I am the very model of a modern xenharmonicist. With sundry regularly-tempered lattices I can assist. I’ve mastered all of vicesimononal primodality. I can group edos by their temperamental commonalities. I can hum every pitch in my beloved triple Bohlen-Pierce, And I debunk harmonic entropy with graphs and trolling fierce. I know the 90edo chords near-just and delta-rational, My xen math papers shine in conferences international. I know all 47-limit epimoric ratios, I can refute all zeta edo notions ab initio. In short, in matters theory and praxis I need not insist: I am the very model of a modern xenharmonicist. I make primodal chord-scales for establishing tonality. I know the perfect edo for evoking liminality. The optimality of penslen out of all scales ternary is plain — it also beats most every scale that's merely binary. My dalliance with MOSses only strengthens this conviction mine. I learn an edo's prime approximations to two-sixty-nine. The wonders of concordance shells I savor in my room alone. I play Vavoom and Whoosh and Gross and Pirate on my Lumatone. The derivation of all SV4’s I find perspicuous; That said, my preferences are for scales with buzz conspicuous. In short, in matters theory and praxis I need not insist: I am the very model of a modern xenharmonicist.
