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'''Trackdye''', short for "[[Stretching and compression|tract-aberracted]] diatonic", is a term for seven [[Aberrisma|aberrismic]] ternary scales of the form 5L 2m 8s that may be constructed by compressing a diatonic scale and duplicating it offset by the amount it was compressed by. It is a superset of [[blackdye]] and [[pinedye]], which makes it useful as both a versatile tempered 5-limit scale and a [[straddle-3]] scale depending on the tuning.
'''Trackdye''', short for "[[Stretching and compression|tract-aberracted]] diatonic", is a term for the seven [[Aberrisma|aberrismic]] ternary scales of [[MOS substitution]] type 8s(5L2m), which may be constructed by compressing a diatonic scale and duplicating it offset by the amount it was compressed by. It is a superset of [[blackdye]] and [[pinedye]], which makes it useful as both a versatile tempered 5-limit scale and a [[straddle-3]] scale depending on the tuning. It may be abbreviated to dia8s or just 8s.


Its steps may be expressed in generator-offset notation, with p as the period, g as the generator, and a as the aberrismic offset. As in most aberrismic scales, the offset is the smallest step in the scale. The equation for 5L 2m 8s trackdye is 5(-p +2g -2a) + 2(3p -5g +a) + 8a = p.
Its steps may be expressed in generator-offset notation, with p as the octave period, g as the perfect fifth generator, and a as the aberrismic offset. As in most aberrismic scales, the offset is the smallest step in the scale. The equation for 5L 2m 8s trackdye is 5(-p +2g -2a) + 2(3p -5g +a) + 8a = p.
{| class="wikitable"
{| class="wikitable"
|+Monotone-MOS Analysis
|+Monotone-MOS Analysis
Line 27: Line 27:


== Step orders ==
== Step orders ==
[[File:Tract-aberrated diatonic generator splotches.png|thumb|Tract-aberrated diatonic generator splotches]]
{| class="wikitable"
{| class="wikitable"
|+The Seven Forms of Trackdye<br>(MOS if L=m and if s=0)
|+The Seven Forms of Trackdye<br>(MOS if L=m and if s=0)
! colspan="2" |Diatonic Mode
! colspan="2" |Diatonic Mode
!Tract-Aberrated
!Tract-Aberrated
!2.3.5 JI
|-
|-
|Lydian
|Lydian
|LLLsLLs
|LLLsLLs
|sLsLsLsMsLsLsMs
|sLsLsLsMsLsLsMs
|81/80&nbsp;10/9&nbsp;9/8&nbsp;100/81&nbsp;5/4&nbsp;1000/729&nbsp;25/18<br>40/27&nbsp;3/2&nbsp;400/243&nbsp;5/3&nbsp;4000/2187&nbsp;50/27&nbsp;160/81&nbsp;2/1
|-
|-
|Ionian
|Ionian
|LLsLLLs
|LLsLLLs
|sLsLsMsLsLsLsMs
|sLsLsMsLsLsLsMs
|81/80&nbsp;10/9&nbsp;9/8&nbsp;100/81&nbsp;5/4&nbsp;4/3&nbsp;27/20<br>40/27&nbsp;3/2&nbsp;400/243&nbsp;5/3&nbsp;4000/2187&nbsp;50/27&nbsp;160/81&nbsp;2/1
|-
|-
|Mixolydian
| class="thl" |Mixolydian<br>(8sR)
|LLsLLsL
| class="thl" |LLsLLsL
|sLsLsMsLsLsMsLs
| class="thl" |sLsLsMsLsLsMsLs
|&nbsp;class="thl"&nbsp;|81/80&nbsp;10/9&nbsp;9/8&nbsp;100/81&nbsp;5/4&nbsp;4/3&nbsp;27/20<br>40/27&nbsp;3/2&nbsp;400/243&nbsp;5/3&nbsp;16/9&nbsp;9/5&nbsp;160/81&nbsp;2/1
|-
|-
|Dorian
|Dorian
|LsLLLsL
|LsLLLsL
|sLsMsLsLsLsMsLs
|sLsMsLsLsLsMsLs
|81/80&nbsp;10/9&nbsp;9/8&nbsp;6/5&nbsp;243/200&nbsp;4/3&nbsp;27/20<br>40/27&nbsp;3/2&nbsp;400/243&nbsp;5/3&nbsp;16/9&nbsp;9/5&nbsp;160/81&nbsp;2/1
|-
|-
|Aeolian
| class="thl" |Aeolian<br>(8sL)
|LsLLsLL
| class="thl" |LsLLsLL
|sLsMsLsLsMsLsLs
| class="thl" |sLsMsLsLsMsLsLs
|&nbsp;class="thl"&nbsp;|81/80&nbsp;10/9&nbsp;9/8&nbsp;6/5&nbsp;243/200&nbsp;4/3&nbsp;27/20<br>40/27&nbsp;3/2&nbsp;8/5&nbsp;81/50&nbsp;16/9&nbsp;9/5&nbsp;160/81&nbsp;2/1
|-
|-
|Phrygian
|Phrygian
|sLLLsLL
|sLLLsLL
|sMsLsLsLsMsLsLs
|sMsLsLsLsMsLsLs
|81/80&nbsp;27/25&nbsp;2187/2000&nbsp;6/5&nbsp;243/200&nbsp;4/3&nbsp;27/20<br>40/27&nbsp;3/2&nbsp;8/5&nbsp;81/50&nbsp;16/9&nbsp;9/5&nbsp;160/81&nbsp;2/1
|-
|-
|Locrian
|Locrian
|sLLsLLL
|sLLsLLL
|sMsLsLsMsLsLsLs
|sMsLsLsMsLsLsLs
|81/80&nbsp;27/25&nbsp;2187/2000&nbsp;6/5&nbsp;243/200&nbsp;4/3&nbsp;27/20<br>36/25&nbsp;729/500&nbsp;8/5&nbsp;81/50&nbsp;16/9&nbsp;9/5&nbsp;160/81&nbsp;2/1
|}
|}
Each of these forms has its own set of 15 modes. The modes given in this table are all the only one with ''s'' as the first and last step, which is the standard form for tract-aberrated scales. M is capitalized for visual distinction.
Each of these forms has its own set of 15 modes. The modes given in this table are all the only one with ''s'' as the first and last step, which is the standard form for tract-aberrated scales. M is capitalized for visual distinction.
Tract-aberrated Aeolian and Mixolydian are special because they are the only forms to contain blackdye as a subset, and to have four chains of perfect fifth generators rather than 5. They are assigned to the L and R aberrismic chirality abbreviations.


There are also four step orders that are MOS if m=s and if s=0: sL'''sm'''LssLssL'''sm'''Ls, sL'''sm'''LssLssL'''ms'''Ls, sL'''ms'''LssLssL'''sm'''Ls, and sL'''ms'''LssLssL'''ms'''Ls, shown with ssLss in the middle. They are not named nor discussed in this article. There is no step order that satisfies all three monotone-MOS subconditions.
There are also four step orders that are MOS if m=s and if s=0: sL'''sm'''LssLssL'''sm'''Ls, sL'''sm'''LssLssL'''ms'''Ls, sL'''ms'''LssLssL'''sm'''Ls, and sL'''ms'''LssLssL'''ms'''Ls, shown with ssLss in the middle. They are not named nor discussed in this article. There is no step order that satisfies all three monotone-MOS subconditions.


== Tuning range ==
== Tuning range ==
{{UserTag|g_|Ground|7766ff|I split trackdye into two categories based on how it accesses LCJI intervals:
* Pental
** ~2.3.5.(7.11.13.17.19)
** Pental intervals are one aberrisma from diatonic
** A superset of pental blackdye/pinedye which functions predictably
* Straddle-3
** ~2.<<3.>3.5.7.11.13.(17.19)
** Pental intervals are two aberrismas from diatonic
** Approximates a roughly basic tuning of diatonic, but warped to access pental and septal intervals in either direction}}
{| class="wikitable"
{| class="wikitable"
|+Selected Tunings of Tract-Aberrated Dorian
|+Selected Tunings of Tract-Aberrated Aeolian
! colspan="2" |2.3.5 JI
| colspan="5" |Pental
! colspan="3" |~2.3.5.(7).13 (Hemififth)
| colspan="2" rowspan="2" |Compromise
!Compromise
| colspan="3" rowspan="2" |Straddle-3
! colspan="2" |~2.<<3.>3.5.7.11.13 (Straddle)
|-
| colspan="2" |2.3.5 JI
| colspan="3" |Sharp Hemififth-Based
|-
|-
!Ratio
!Ratio
!Cents
!Cents
!27P
!27P<br>(3:2:1)
!61P
!27P+34P =<br>61P (7:5:2)
!34P
!34P<br>(4:3:1)
!39P
!61P+37cc =<br>98bcc (12:7:3)
!37cc
!39P<br>(5:3:1)
!67bcccc
!37cc<br>(5:2:1)
!67bcccc<br>(9:3:2)
!61cc<br>(9:4:1)
|-
|-
|81/80
|81/80
|21.506
|21.5
|44.444
|44.4
|39.344
|39.3
|35.294
|35.3
|30.769
|36.7
|32.432
|30.8
|35.821
|32.4
|35.8
|19.7
|-
|-
|10/9
|10/9
|182.404
|182.4
|177.778
|177.8
|177.049
|177.0
|176.471
|176.5
|184.615
|183.7
|194.595
|184.6
|197.015
|194.6
|197.0
|196.7
|-
|-
|9/8
|9/8
|203.910
|203.9
|222.222
|222.2
|216.393
|216.4
|211.765
|211.8
|215.385
|220.4
|227.027
|215.4
|232.836
|227.0
|232.8
|216.4
|-
|-
|6/5
|6/5
|315.641
|315.6
|311.111
|311.1
|314.754
|314.8
|317.647
|317.6
|307.692
|306.1
|291.892
|307.7
|286.567
|291.9
|286.6
|295.1
|-
|-
|243/200
|243/200
|337.148
|337.1
|355.556
|355.6
|354.098
|354.1
|352.941
|352.9
|338.462
|342.9
|324.324
|338.5
|322.388
|324.3
|322.4
|314.8
|-
|-
|4/3
|4/3
|498.045
|498.0
|488.889
|488.9
|491.803
|491.8
|494.118
|494.1
|492.308
|489.8
|486.486
|492.3
|483.582
|486.5
|483.6
|491.8
|-
|-
|27/20
|27/20
|519.551
|519.6
|533.333
|533.3
|531.148
|531.1
|529.412
|529.4
|523.077
|526.5
|518.919
|523.1
|519.403
|518.9
|519.4
|511.5
|-
|-
|40/27
|40/27
|680.449
|680.4
|666.667
|666.7
|668.852
|668.9
|670.588
|670.6
|676.923
|673.5
|681.081
|676.9
|680.597
|681.1
|680.6
|688.5
|-
|-
|3/2
|3/2
|701.955
|702.0
|711.111
|711.1
|708.197
|708.2
|705.882
|705.9
|707.692
|710.2
|713.514
|707.7
|716.418
|713.5
|716.4
|708.2
|-
|-
|400/243
|8/5
|862.852
|813.7
|844.444
|800.0
|845.902
|806.6
|847.059
|811.8
|861.538
|795.9
|875.676
|800.0
|877.612
|778.4
|770.1
|786.9
|-
|-
|5/3
|81/50
|884.359
|835.2
|888.889
|844.4
|885.246
|845.9
|882.353
|847.1
|892.308
|832.7
|908.108
|830.8
|913.433
|810.8
|806.0
|806.6
|-
|-
|16/9
|16/9
|996.090
|996.1
|977.778
|977.8
|983.607
|983.6
|988.235
|988.2
|984.615
|979.6
|972.973
|984.6
|967.164
|973.0
|967.2
|983.6
|-
|-
|9/5
|9/5
|1017.596
|1017.6
|1022.222
|1022.2
|1022.951
|1023.0
|1023.529
|1023.5
|1015.385
|1016.3
|1005.405
|1015.4
|1002.985
|1005.4
|1003.0
|1003.3
|-
|-
|160/81
|160/81
|1178.494
|1178.5
|1155.556
|1155.6
|1160.656
|1160.7
|1164.706
|1164.7
|1169.231
|1163.3
|1167.568
|1169.2
|1164.179
|1167.6
|1164.2
|1180.3
|-
|-
|2/1
|2/1
|1200
|1200.0
|1200
|1200.0
|1200
|1200.0
|1200.000
|1200.0
|1200.000
|1200.0
|1200.000
|1200.0
|1200.000
|1200.0
|1200.0
|1200.0
|}
|}
The sharp fifth is the generator in generator-offset notation. Edo tunings 27, 34, 37, and 67 all feature a significant number of intervals that split it in half, and all of these edos are 10n+7 except for 34 which is 10+7*2. These imply a very sharp and sharp diatonic fifth respectively. Splitting that into a sharp hemififth is useful for two reasons:
* It fills the space between 6/5 and 5/4 with as few distinct intervals as possible, allowing for smaller edos.
* As a generator, 2 of them makes the sharp fifth but -3 usually makes the supraminor second.
Which supraminor second is generated this way varies with tuning category:
* ms: p -3g/2 = (3p -5g +a) + a ⇒ -4p +7g -4a = 0
* sms: p -3g/2 = (3p -5g +a) + 2a ⇒ -4p +7g -6a = 0


=== Supraminor thirds ===
=== Range definitions ===
Trackdye features two intervals that are usually tuned to some form of supraminor third: LsL and sLsms. They can be expressed with equations for generator-offset notation:
The simplest way to define the two ranges is:
* LsL: -2p +4g -3a
* Pental (including JI): sLsLs ≈ 5/4
* sLsms: 2p -3g +2a
* Straddle-3: sLsL ≈ 5/4
It may be useful to compare the two side-by-side in one tuning. Equating the representations of 5/4 with ''a'' as the pental aberrisma and ''b'' as the straddle-3 aberrisma:


Equating the supraminor thirds with units of cents gives -2p +4g -3a = 2p -3g +2a when p = 1200, simplifying to -5a +7g -4800 = 0.
2(-p +2g -2a) + 3a =  2(-p +2g -2b) + 2b ⇒ a = 2b
 
The first edo to do this while keeping L≠m≠s is 42 with 4:3:2 and 6:2:1, which are similar enough to 27edo (3:2:1 Augmented) and 37edo (5:2:1 Ultrapyth), although not ideal. 61edo offers 7:5:2 and 9:4:1, which is better.
 
=== Equivalent intervals ===
The simplest common equivalences that lead to thirds being equated are:
* m = ss (3:2:1, 5:2:1)
** Subminor thirds Lsm = sLss
* L = ms (3:2:1, 4:3:1)
** Minor thirds LsL = sLsm
* L = sms (5:3:1)
** Supraminor thirds LsL = sLsms
* L = smss (5:2:1)
** This one occurs less often directly because there has to be an m step adjacent to the only ss interval.
 
For example, trackdye features two intervals that are usually tuned close to a supraminor third: LsL and either slsm or sLsms. They can be expressed with equations for generator-offset notation:
* LsL: 2(-p +2g -2a) + a ⇒ -2p +4g -3a
* sLsms: (-p +2g -2a) + (3p -5g +a) + 3a ⇒ 2p -3g +2a
 
Equating the above supraminor thirds with units of cents gives -2p +4g -3a = 2p -3g +2a when p = 1200¢, simplifying to -4800¢ +7g -5a = 0, so the diatonic augmented unison is equal to 5 aberrismas. The line goes from 0¢, 4\7 to 48¢, 3\5.
 
Doing the same with LsL and sLsm gives -4p +7g -4a = 0, the same equation as the tunings with a sharp hemififth.


== Intervals ==
== Intervals ==
{| class="wikitable"
{| class="wikitable"
|+Intervals of 37cc Tract-Aberrated Dorian
|+Intervals of 98bcc Tract-Aberrated Dorian
!
!On&#x2193; #&#x2192;
!Next Step
!0
!0
!1
!1
Line 243: Line 327:
!13
!13
!14
!14
! -15
! 15
|-
|-
!0
!0
!s
|0
|0
|32
|37
|195
|184
|227
|220
| style="background:#6cc; color:#000;" |292
| style="background:#6cc; color:#000;" |306
| style="background:#c66; color:#000;" |324
| style="background:#c66; color:#000;" |343
| style="background:#a98; color:#000;" |487
| style="background:#a98; color:#000;" |490
| style="background:#876; color:#000;" |519
| style="background:#876; color:#000;" |527
| style="background:#876; color:#000;" |681
| style="background:#876; color:#000;" |674
| style="background:#a98; color:#000;" |714
| style="background:#a98; color:#000;" |710
| style="background:#c66; color:#000;" |876
| style="background:#c66; color:#000;" |857
| style="background:#6cc; color:#000;" |908
| style="background:#6cc; color:#000;" |894
|973
|980
|1005
|1016
|1168
|1163
|1200
|1200
|-
|-
!32
!37
!L
|0
|0
|162
|147
|195
|184
| style="background:#379; color:#000;" |260
| style="background:#379; color:#000;" |269
| style="background:#6cc; color:#000;" |292
| style="background:#6cc; color:#000;" |306
| style="background:#379; color:#000;" |454
| style="background:#379; color:#000;" |453
| style="background:#a98; color:#000;" |487
| style="background:#a98; color:#000;" |490
|649
|637
| style="background:#876; color:#000;" |681
| style="background:#876; color:#000;" |674
| style="background:#935; color:#000;" |843
| style="background:#935; color:#000;" |820
| style="background:#c66; color:#000;" |876
| style="background:#c66; color:#000;" |857
| style="background:#379; color:#000;" |941
| style="background:#379; color:#000;" |943
|973
|980
|1135
|1127
|1168
|1163
|1200
|1200
|-
|-
!195
!184
!s
|0
|0
|32
|37
|97
|122
|130
|159
| style="background:#6cc; color:#000;" |292
| style="background:#6cc; color:#000;" |306
| style="background:#c66; color:#000;" |324
| style="background:#c66; color:#000;" |343
| style="background:#a98; color:#000;" |487
| style="background:#a98; color:#000;" |490
| style="background:#876; color:#000;" |519
| style="background:#876; color:#000;" |527
| style="background:#876; color:#000;" |681
| style="background:#876; color:#000;" |674
| style="background:#a98; color:#000;" |714
| style="background:#a98; color:#000;" |710
| style="background:#6cc; color:#000;" |778
| style="background:#6cc; color:#000;" |796
| style="background:#c66; color:#000;" |811
| style="background:#c66; color:#000;" |833
|973
|980
|1005
|1016
|1038
|1053
|1200
|1200
|-
|-
!227
!220
!m
|0
|0
|65
|86
|97
|122
| style="background:#379; color:#000;" |260
| style="background:#379; color:#000;" |269
| style="background:#6cc; color:#000;" |292
| style="background:#6cc; color:#000;" |306
| style="background:#379; color:#000;" |454
| style="background:#379; color:#000;" |453
| style="background:#a98; color:#000;" |487
| style="background:#a98; color:#000;" |490
|649
|637
| style="background:#876; color:#000;" |681
| style="background:#876; color:#000;" |674
| style="background:#379; color:#000;" |746
| style="background:#379; color:#000;" |759
| style="background:#6cc; color:#000;" |778
| style="background:#6cc; color:#000;" |796
| style="background:#379; color:#000;" |941
| style="background:#379; color:#000;" |943
|973
|980
|1005
|1016
|1168
|1163
|1200
|1200
|-
|-
!292
!306
!s
|0
|0
|32
|37
|195
|184
|227
|220
| style="background:#c66; color:#000;" |389
| style="background:#c66; color:#000;" |367
| style="background:#6cc; color:#000;" |422
| style="background:#6cc; color:#000;" |404
|584
|551
|616
|588
| style="background:#876; color:#000;" |681
| style="background:#876; color:#000;" |674
| style="background:#a98; color:#000;" |714
| style="background:#a98; color:#000;" |710
| style="background:#c66; color:#000;" |876
| style="background:#c66; color:#000;" |857
| style="background:#6cc; color:#000;" |908
| style="background:#6cc; color:#000;" |894
| style="background:#379; color:#000;" |941
| style="background:#379; color:#000;" |931
|1103
|1078
|1135
|1114
|1200
|1200
|-
|-
!324
!343
!L
|0
|0
|162
|147
|195
|184
| style="background:#935; color:#000;" |357
| style="background:#935; color:#000;" |331
| style="background:#c66; color:#000;" |389
| style="background:#c66; color:#000;" |367
|514
|551
|551
|584
|637
|649
| style="background:#876; color:#000;" |674
| style="background:#876; color:#000;" |681
| style="background:#935; color:#000;" |820
| style="background:#935; color:#000;" |843
| style="background:#c66; color:#000;" |857
| style="background:#c66; color:#000;" |876
| style="background:#6cc; color:#000;" |894
| style="background:#6cc; color:#000;" |908
|1041
|1070
|1078
|1103
|1163
|1168
|1200
|1200
|-
|-
!487
!490
!s
|0
|0
|32
|37
|195
|184
|227
|220
| style="background:#c66; color:#000;" |389
| style="background:#c66; color:#000;" |367
| style="background:#6cc; color:#000;" |422
| style="background:#6cc; color:#000;" |404
| style="background:#a98; color:#000;" |487
| style="background:#a98; color:#000;" |490
| style="background:#876; color:#000;" |519
| style="background:#876; color:#000;" |527
| style="background:#876; color:#000;" |681
| style="background:#876; color:#000;" |674
| style="background:#a98; color:#000;" |714
| style="background:#a98; color:#000;" |710
| style="background:#379; color:#000;" |746
| style="background:#379; color:#000;" |747
| style="background:#6cc; color:#000;" |908
| style="background:#6cc; color:#000;" |894
| style="background:#379; color:#000;" |941
| style="background:#379; color:#000;" |931
|1005
|1016
|1038
|1053
|1200
|1200
|-
|-
!519
!527
!L
|0
|0
|162
|147
|195
|184
| style="background:#935; color:#000;" |357
| style="background:#935; color:#000;" |331
| style="background:#c66; color:#000;" |389
| style="background:#c66; color:#000;" |367
| style="background:#379; color:#000;" |454
| style="background:#379; color:#000;" |453
| style="background:#a98; color:#000;" |487
| style="background:#a98; color:#000;" |490
|649
|637
| style="background:#876; color:#000;" |681
| style="background:#876; color:#000;" |674
| style="background:#a98; color:#000;" |714
| style="background:#a98; color:#000;" |710
| style="background:#c66; color:#000;" |876
| style="background:#c66; color:#000;" |857
| style="background:#6cc; color:#000;" |908
| style="background:#6cc; color:#000;" |894
|973
|980
|1005
|1016
|1168
|1163
|1200
|1200
|-
|-
!681
!674
!s
|0
|0
|32
|37
|195
|184
|227
|220
| style="background:#6cc; color:#000;" |292
| style="background:#6cc; color:#000;" |306
| style="background:#c66; color:#000;" |324
| style="background:#c66; color:#000;" |343
| style="background:#a98; color:#000;" |487
| style="background:#a98; color:#000;" |490
| style="background:#876; color:#000;" |519
| style="background:#876; color:#000;" |527
|551
|563
| style="background:#a98; color:#000;" |714
| style="background:#a98; color:#000;" |710
| style="background:#379; color:#000;" |746
| style="background:#379; color:#000;" |747
| style="background:#c66; color:#000;" |811
| style="background:#c66; color:#000;" |833
| style="background:#935; color:#000;" |843
| style="background:#935; color:#000;" |869
|1005
|1016
|1038
|1053
|1200
|1200
|-
|-
!714
!710
!L
|0
|0
|162
|147
|195
|184
| style="background:#379; color:#000;" |260
| style="background:#379; color:#000;" |269
| style="background:#6cc; color:#000;" |292
| style="background:#6cc; color:#000;" |306
| style="background:#379; color:#000;" |454
| style="background:#379; color:#000;" |453
| style="background:#a98; color:#000;" |487
| style="background:#a98; color:#000;" |490
| style="background:#876; color:#000;" |519
| style="background:#876; color:#000;" |527
| style="background:#876; color:#000;" |681
| style="background:#876; color:#000;" |674
| style="background:#a98; color:#000;" |714
| style="background:#a98; color:#000;" |710
| style="background:#6cc; color:#000;" |778
| style="background:#6cc; color:#000;" |796
| style="background:#c66; color:#000;" |811
| style="background:#c66; color:#000;" |833
|973
|980
|1005
|1016
|1168
|1163
|1200
|1200
|-
|-
!876
!857
!s
|0
|0
|32
|37
|97
|122
|130
|159
| style="background:#6cc; color:#000;" |292
| style="background:#6cc; color:#000;" |306
| style="background:#c66; color:#000;" |324
| style="background:#c66; color:#000;" |343
| style="background:#935; color:#000;" |357
| style="background:#935; color:#000;" |380
| style="background:#876; color:#000;" |519
| style="background:#876; color:#000;" |527
|551
|563
|616
|649
|649
| style="background:#c66; color:#000;" |811
|686
| style="background:#935; color:#000;" |843
| style="background:#c66; color:#000;" |833
|1005
| style="background:#935; color:#000;" |869
|1038
|1016
|1053
|1200
|1200
|-
|-
!908
!894
!m
|0
|0
|65
|86
|97
|122
| style="background:#379; color:#000;" |260
| style="background:#379; color:#000;" |269
| style="background:#6cc; color:#000;" |292
| style="background:#6cc; color:#000;" |306
| style="background:#c66; color:#000;" |324
| style="background:#c66; color:#000;" |343
| style="background:#a98; color:#000;" |487
| style="background:#a98; color:#000;" |490
| style="background:#876; color:#000;" |519
| style="background:#876; color:#000;" |527
|584
|612
|616
|649
| style="background:#6cc; color:#000;" |778
| style="background:#6cc; color:#000;" |796
| style="background:#c66; color:#000;" |811
| style="background:#c66; color:#000;" |833
|973
|980
|1005
|1016
|1168
|1163
|1200
|1200
|-
|-
!973
!980
!s
|0
|0
|32
|37
|195
|184
|227
|220
| style="background:#379; color:#000;" |260
| style="background:#379; color:#000;" |257
| style="background:#6cc; color:#000;" |422
| style="background:#6cc; color:#000;" |404
| style="background:#379; color:#000;" |454
| style="background:#379; color:#000;" |441
| style="background:#876; color:#000;" |519
| style="background:#876; color:#000;" |527
|551
|563
| style="background:#a98; color:#000;" |714
| style="background:#a98; color:#000;" |710
| style="background:#379; color:#000;" |746
| style="background:#379; color:#000;" |747
| style="background:#6cc; color:#000;" |908
| style="background:#6cc; color:#000;" |894
| style="background:#379; color:#000;" |941
| style="background:#379; color:#000;" |931
|1103
|1078
|1135
|1114
|1200
|1200
|-
|-
!1005
!1016
!L
|0
|0
|162
|147
|195
|184
|227
|220
| style="background:#c66; color:#000;" |389
| style="background:#c66; color:#000;" |367
| style="background:#6cc; color:#000;" |422
| style="background:#6cc; color:#000;" |404
| style="background:#a98; color:#000;" |487
| style="background:#a98; color:#000;" |490
| style="background:#876; color:#000;" |519
| style="background:#876; color:#000;" |527
| style="background:#876; color:#000;" |681
| style="background:#876; color:#000;" |674
| style="background:#a98; color:#000;" |714
| style="background:#a98; color:#000;" |710
| style="background:#c66; color:#000;" |876
| style="background:#c66; color:#000;" |857
| style="background:#6cc; color:#000;" |908
| style="background:#6cc; color:#000;" |894
|1070
|1041
|1103
|1078
|1168
|1163
|1200
|1200
|-
|-
!1168
!1163
!s
|0
|0
|32
|37
|65
|74
|227
|220
| style="background:#379; color:#000;" |260
| style="background:#379; color:#000;" |257
| style="background:#c66; color:#000;" |324
| style="background:#c66; color:#000;" |343
| style="background:#935; color:#000;" |357
| style="background:#935; color:#000;" |380
| style="background:#876; color:#000;" |519
| style="background:#876; color:#000;" |527
|551
|563
| style="background:#a98; color:#000;" |714
| style="background:#a98; color:#000;" |710
| style="background:#379; color:#000;" |746
| style="background:#379; color:#000;" |747
| style="background:#6cc; color:#000;" |908
| style="background:#6cc; color:#000;" |894
| style="background:#379; color:#000;" |941
| style="background:#379; color:#000;" |931
|1005
|1016
|1038
|1053
|1200
|1200
|}
|}
37edo was selected because it distinguishes the 324¢ and 357¢ intervals, which are equal in many tunings.
98bcc was selected because it's approximately the average of the tunings in the tuning range table, and does not equate the two types of near-supraminor third.

Latest revision as of 04:14, 11 November 2026

Trackdye, short for "tract-aberracted diatonic", is a term for the seven aberrismic ternary scales of MOS substitution type 8s(5L2m), which may be constructed by compressing a diatonic scale and duplicating it offset by the amount it was compressed by. It is a superset of blackdye and pinedye, which makes it useful as both a versatile tempered 5-limit scale and a straddle-3 scale depending on the tuning. It may be abbreviated to dia8s or just 8s.

Its steps may be expressed in generator-offset notation, with p as the octave period, g as the perfect fifth generator, and a as the aberrismic offset. As in most aberrismic scales, the offset is the smallest step in the scale. The equation for 5L 2m 8s trackdye is 5(-p +2g -2a) + 2(3p -5g +a) + 8a = p.

Monotone-MOS Analysis
Subcondition MOS Gen Range Name
L=m 7L 8s 2\15 - 1\7 Porcupine
m=s 5L 10s 0\5 - 1\15 Hard Blackwood
s=0 5L 2s 2\5 - 3\7 Diatonic

This shows that trackdye tunings tend to have a sharp diatonic fifth.

Step orders

Tract-aberrated diatonic generator splotches
The Seven Forms of Trackdye
(MOS if L=m and if s=0)
Diatonic Mode Tract-Aberrated 2.3.5 JI
Lydian LLLsLLs sLsLsLsMsLsLsMs 81/80 10/9 9/8 100/81 5/4 1000/729 25/18
40/27 3/2 400/243 5/3 4000/2187 50/27 160/81 2/1
Ionian LLsLLLs sLsLsMsLsLsLsMs 81/80 10/9 9/8 100/81 5/4 4/3 27/20
40/27 3/2 400/243 5/3 4000/2187 50/27 160/81 2/1
Mixolydian
(8sR)
LLsLLsL sLsLsMsLsLsMsLs 81/80 10/9 9/8 100/81 5/4 4/3 27/20
40/27 3/2 400/243 5/3 16/9 9/5 160/81 2/1
Dorian LsLLLsL sLsMsLsLsLsMsLs 81/80 10/9 9/8 6/5 243/200 4/3 27/20
40/27 3/2 400/243 5/3 16/9 9/5 160/81 2/1
Aeolian
(8sL)
LsLLsLL sLsMsLsLsMsLsLs 81/80 10/9 9/8 6/5 243/200 4/3 27/20
40/27 3/2 8/5 81/50 16/9 9/5 160/81 2/1
Phrygian sLLLsLL sMsLsLsLsMsLsLs 81/80 27/25 2187/2000 6/5 243/200 4/3 27/20
40/27 3/2 8/5 81/50 16/9 9/5 160/81 2/1
Locrian sLLsLLL sMsLsLsMsLsLsLs 81/80 27/25 2187/2000 6/5 243/200 4/3 27/20
36/25 729/500 8/5 81/50 16/9 9/5 160/81 2/1

Each of these forms has its own set of 15 modes. The modes given in this table are all the only one with s as the first and last step, which is the standard form for tract-aberrated scales. M is capitalized for visual distinction.

Tract-aberrated Aeolian and Mixolydian are special because they are the only forms to contain blackdye as a subset, and to have four chains of perfect fifth generators rather than 5. They are assigned to the L and R aberrismic chirality abbreviations.

There are also four step orders that are MOS if m=s and if s=0: sLsmLssLssLsmLs, sLsmLssLssLmsLs, sLmsLssLssLsmLs, and sLmsLssLssLmsLs, shown with ssLss in the middle. They are not named nor discussed in this article. There is no step order that satisfies all three monotone-MOS subconditions.

Tuning range

g_
I split trackdye into two categories based on how it accesses LCJI intervals:
  • Pental
    • ~2.3.5.(7.11.13.17.19)
    • Pental intervals are one aberrisma from diatonic
    • A superset of pental blackdye/pinedye which functions predictably
  • Straddle-3
    • ~2.<<3.>3.5.7.11.13.(17.19)
    • Pental intervals are two aberrismas from diatonic
    • Approximates a roughly basic tuning of diatonic, but warped to access pental and septal intervals in either direction
Selected Tunings of Tract-Aberrated Aeolian
Pental Compromise Straddle-3
2.3.5 JI Sharp Hemififth-Based
Ratio Cents 27P
(3:2:1)
27P+34P =
61P (7:5:2)
34P
(4:3:1)
61P+37cc =
98bcc (12:7:3)
39P
(5:3:1)
37cc
(5:2:1)
67bcccc
(9:3:2)
61cc
(9:4:1)
81/80 21.5 44.4 39.3 35.3 36.7 30.8 32.4 35.8 19.7
10/9 182.4 177.8 177.0 176.5 183.7 184.6 194.6 197.0 196.7
9/8 203.9 222.2 216.4 211.8 220.4 215.4 227.0 232.8 216.4
6/5 315.6 311.1 314.8 317.6 306.1 307.7 291.9 286.6 295.1
243/200 337.1 355.6 354.1 352.9 342.9 338.5 324.3 322.4 314.8
4/3 498.0 488.9 491.8 494.1 489.8 492.3 486.5 483.6 491.8
27/20 519.6 533.3 531.1 529.4 526.5 523.1 518.9 519.4 511.5
40/27 680.4 666.7 668.9 670.6 673.5 676.9 681.1 680.6 688.5
3/2 702.0 711.1 708.2 705.9 710.2 707.7 713.5 716.4 708.2
8/5 813.7 800.0 806.6 811.8 795.9 800.0 778.4 770.1 786.9
81/50 835.2 844.4 845.9 847.1 832.7 830.8 810.8 806.0 806.6
16/9 996.1 977.8 983.6 988.2 979.6 984.6 973.0 967.2 983.6
9/5 1017.6 1022.2 1023.0 1023.5 1016.3 1015.4 1005.4 1003.0 1003.3
160/81 1178.5 1155.6 1160.7 1164.7 1163.3 1169.2 1167.6 1164.2 1180.3
2/1 1200.0 1200.0 1200.0 1200.0 1200.0 1200.0 1200.0 1200.0 1200.0

The sharp fifth is the generator in generator-offset notation. Edo tunings 27, 34, 37, and 67 all feature a significant number of intervals that split it in half, and all of these edos are 10n+7 except for 34 which is 10+7*2. These imply a very sharp and sharp diatonic fifth respectively. Splitting that into a sharp hemififth is useful for two reasons:

  • It fills the space between 6/5 and 5/4 with as few distinct intervals as possible, allowing for smaller edos.
  • As a generator, 2 of them makes the sharp fifth but -3 usually makes the supraminor second.

Which supraminor second is generated this way varies with tuning category:

  • ms: p -3g/2 = (3p -5g +a) + a ⇒ -4p +7g -4a = 0
  • sms: p -3g/2 = (3p -5g +a) + 2a ⇒ -4p +7g -6a = 0

Range definitions

The simplest way to define the two ranges is:

  • Pental (including JI): sLsLs ≈ 5/4
  • Straddle-3: sLsL ≈ 5/4

It may be useful to compare the two side-by-side in one tuning. Equating the representations of 5/4 with a as the pental aberrisma and b as the straddle-3 aberrisma:

2(-p +2g -2a) + 3a = 2(-p +2g -2b) + 2b ⇒ a = 2b

The first edo to do this while keeping L≠m≠s is 42 with 4:3:2 and 6:2:1, which are similar enough to 27edo (3:2:1 Augmented) and 37edo (5:2:1 Ultrapyth), although not ideal. 61edo offers 7:5:2 and 9:4:1, which is better.

Equivalent intervals

The simplest common equivalences that lead to thirds being equated are:

  • m = ss (3:2:1, 5:2:1)
    • Subminor thirds Lsm = sLss
  • L = ms (3:2:1, 4:3:1)
    • Minor thirds LsL = sLsm
  • L = sms (5:3:1)
    • Supraminor thirds LsL = sLsms
  • L = smss (5:2:1)
    • This one occurs less often directly because there has to be an m step adjacent to the only ss interval.

For example, trackdye features two intervals that are usually tuned close to a supraminor third: LsL and either slsm or sLsms. They can be expressed with equations for generator-offset notation:

  • LsL: 2(-p +2g -2a) + a ⇒ -2p +4g -3a
  • sLsms: (-p +2g -2a) + (3p -5g +a) + 3a ⇒ 2p -3g +2a

Equating the above supraminor thirds with units of cents gives -2p +4g -3a = 2p -3g +2a when p = 1200¢, simplifying to -4800¢ +7g -5a = 0, so the diatonic augmented unison is equal to 5 aberrismas. The line goes from 0¢, 4\7 to 48¢, 3\5.

Doing the same with LsL and sLsm gives -4p +7g -4a = 0, the same equation as the tunings with a sharp hemififth.

Intervals

Intervals of 98bcc Tract-Aberrated Dorian
On↓ #→ Next Step 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15
0 s 0 37 184 220 306 343 490 527 674 710 857 894 980 1016 1163 1200
37 L 0 147 184 269 306 453 490 637 674 820 857 943 980 1127 1163 1200
184 s 0 37 122 159 306 343 490 527 674 710 796 833 980 1016 1053 1200
220 m 0 86 122 269 306 453 490 637 674 759 796 943 980 1016 1163 1200
306 s 0 37 184 220 367 404 551 588 674 710 857 894 931 1078 1114 1200
343 L 0 147 184 331 367 514 551 637 674 820 857 894 1041 1078 1163 1200
490 s 0 37 184 220 367 404 490 527 674 710 747 894 931 1016 1053 1200
527 L 0 147 184 331 367 453 490 637 674 710 857 894 980 1016 1163 1200
674 s 0 37 184 220 306 343 490 527 563 710 747 833 869 1016 1053 1200
710 L 0 147 184 269 306 453 490 527 674 710 796 833 980 1016 1163 1200
857 s 0 37 122 159 306 343 380 527 563 649 686 833 869 1016 1053 1200
894 m 0 86 122 269 306 343 490 527 612 649 796 833 980 1016 1163 1200
980 s 0 37 184 220 257 404 441 527 563 710 747 894 931 1078 1114 1200
1016 L 0 147 184 220 367 404 490 527 674 710 857 894 1041 1078 1163 1200
1163 s 0 37 74 220 257 343 380 527 563 710 747 894 931 1016 1053 1200

98bcc was selected because it's approximately the average of the tunings in the tuning range table, and does not equate the two types of near-supraminor third.