User:Inthar: Difference between revisions
From Xenharmonic Reference
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== I Am the Very Model of a Modern Xenharmonicist (parody) == | == I Am the Very Model of a Modern Xenharmonicist (parody) == | ||
Todo: 16edo cover | |||
<pre> | <pre> | ||
I am the very model of a modern xenharmonicist. | I am the very model of a modern xenharmonicist. | ||
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I can group edos by their temperamental commonalities. | I can group edos by their temperamental commonalities. | ||
I can hum every pitch in my beloved triple Bohlen-Pierce, | I can hum every pitch in my beloved triple Bohlen-Pierce, | ||
And I | And I debate harmonic entropy with graphs and trolling fierce. | ||
I know the 90edo chords near-just and delta-rational, | I know the 90edo chords near-just and delta-rational, | ||
My xen math papers shine in conferences international. | My xen math papers shine in conferences international. | ||
I know all 47-limit | I know all epimoric 47-limit ratios, | ||
I can confirm all zeta edo notions ab initio. | I can confirm all zeta edo notions ab initio. | ||
In short, in matters theory and praxis I need not insist: | In short, in matters theory and praxis I need not insist: | ||
Latest revision as of 14:03, 11 February 2026
Inthar (in-THAR, th as in "thin") is a wiki editor. He's primarily a theorist, not a composer.
Most of his pieces can be found on the Xen Wiki.
Todo
- Try to prove uniqueness of endoparticular extensions
I Am the Very Model of a Modern Xenharmonicist (parody)
Todo: 16edo cover
I am the very model of a modern xenharmonicist. With sundry regularly-tempered lattices I can assist. I’ve mastered all of vicesimononal primodality. I can group edos by their temperamental commonalities. I can hum every pitch in my beloved triple Bohlen-Pierce, And I debate harmonic entropy with graphs and trolling fierce. I know the 90edo chords near-just and delta-rational, My xen math papers shine in conferences international. I know all epimoric 47-limit ratios, I can confirm all zeta edo notions ab initio. In short, in matters theory and praxis I need not insist: I am the very model of a modern xenharmonicist. I make primodal chord-scales for establishing tonality. I know the perfect edo for evoking liminality. The optimality of penslen out of all scales ternary Is plain — it also beats most every scale that's merely binary. My dalliance with MOSses only strengthens this conviction mine. I learn an edo's prime approximations to two-sixty-nine. The wonders of concordance shells I savor in my room alone. I play Vavoom and Whoosh and Gross and Pirate on my Lumatone. The derivation of all SV4’s I find perspicuous; That said, my preferences are for scales with buzz conspicuous. In short, in matters theory and praxis I need not insist: I am the very model of a modern xenharmonicist.
